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Seite 68
ness of death . After the personality in its outward ' seeming ' has been abandoned — and here the disguise convention is used to good effect each character accepts death . Imogen is mourned as dead indeed she suffers a kind of death ...
ness of death . After the personality in its outward ' seeming ' has been abandoned — and here the disguise convention is used to good effect each character accepts death . Imogen is mourned as dead indeed she suffers a kind of death ...
Seite 85
It is stately , solemn , and harmonious , using circular movement and a melodious chant : death , through these ghosts , is functioning as harmony . There could be no more vivid mark of its authenticity ; for such is death throughout ...
It is stately , solemn , and harmonious , using circular movement and a melodious chant : death , through these ghosts , is functioning as harmony . There could be no more vivid mark of its authenticity ; for such is death throughout ...
Seite 152
In particular , ' visualizing the death situation ' is central to the action of the play as well as to the language . The two contrasted styles which Professor Sutherland mentions are also central , in a less complex and extreme form ...
In particular , ' visualizing the death situation ' is central to the action of the play as well as to the language . The two contrasted styles which Professor Sutherland mentions are also central , in a less complex and extreme form ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |