Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4Laurie Lanzen Harris Gale Research Company, 1984 |
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Seite 125
... conventions . The me- dieval drama was basically audience - directed , closely related to ritual and to platform oratory , and was designed not to enthrall and purge , but to teach and to reveal . The tactics of such drama : open ...
... conventions . The me- dieval drama was basically audience - directed , closely related to ritual and to platform oratory , and was designed not to enthrall and purge , but to teach and to reveal . The tactics of such drama : open ...
Seite 126
... conventions , of props , of poor acting or writ- ing - we fail to identify sufficiently with the " human beings " presented , are prevented from succumbing to that magical cir- cle of experience which the drama normally provides , and ...
... conventions , of props , of poor acting or writ- ing - we fail to identify sufficiently with the " human beings " presented , are prevented from succumbing to that magical cir- cle of experience which the drama normally provides , and ...
Seite 127
... conventions might be made to do ; the actual effect of these conventions , as he used them , indicates that his interest in them , in Cymbeline , was as " theatrical devices , " instruments for forcing the audience to view this romance ...
... conventions might be made to do ; the actual effect of these conventions , as he used them , indicates that his interest in them , in Cymbeline , was as " theatrical devices , " instruments for forcing the audience to view this romance ...
Inhalt
Preface | 7 |
The Merchant of Venice | 185 |
Othello | 362 |
Urheberrecht | |
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action Additional Bibliography Anna Brownell Jameson Antonio appears argues Arviragus audience August Wilhelm Schlegel Bassanio beauty Belarius Belmont bond Britain casket character Christian Cloten comedy comic conflict contends contrast conventions court critics Cymbe Cymbeline Cymbeline's daughter death Desdemona disguise dramatic dream E. K. Chambers Elizabethan emotional essay date excerpt father feeling final give Granville-Barker Gratiano Guiderius Harley Granville-Barker harmony hath Hermann Ulrici human husband Iachimo ideal imagery Imogen irony Jessica Jupiter justice King Lorenzo lovers means Merchant of Venice mercy moral nature Nerissa Othello passion Pisanio play's plot poet Portia Posthumus Posthumus's pound of flesh Queen repentance revenge ring romance sadness seems sense sexual Shake Shakespeare Shylock significance soliloquy soul speare's speech spirit story suggests symbolic thee theme thing thou tragedy tragic trial scene true truth Venetian villain virtue vision wager wife William Hazlitt Winter's Tale words