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Seite 67
This contrast is an essential pivot of the play and is characteristic of the ' total situation . ' Immediately one notices that Rome is not Italy . Iachimo , ' the Italian villain ' is never called Roman , whereas Lucius , the virtuous ...
This contrast is an essential pivot of the play and is characteristic of the ' total situation . ' Immediately one notices that Rome is not Italy . Iachimo , ' the Italian villain ' is never called Roman , whereas Lucius , the virtuous ...
Seite 70
In addition to these contrasts , there is a new contrast of style , tending to express the same things . The packed , arduous , stormy , and eminently dramatic verse of the late tragedies is still there .
In addition to these contrasts , there is a new contrast of style , tending to express the same things . The packed , arduous , stormy , and eminently dramatic verse of the late tragedies is still there .
Seite 98
For the ' nature ' which is set in contrast to court artificiality is itself artificially conceived , and this is one of ... The spirit which impels Belarius to draw his moral from every aspect of his surroundings - as when he contrasts ...
For the ' nature ' which is set in contrast to court artificiality is itself artificially conceived , and this is one of ... The spirit which impels Belarius to draw his moral from every aspect of his surroundings - as when he contrasts ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |