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Seite 283
51-3 ) The Portia [ of the trial scene ] is , as I have said , magisterial , quite altered from the young girl whose little body ... And we accept this new rhetoric just because we have been startled by the nature of Portia's entry .
51-3 ) The Portia [ of the trial scene ] is , as I have said , magisterial , quite altered from the young girl whose little body ... And we accept this new rhetoric just because we have been startled by the nature of Portia's entry .
Seite 339
Here as elsewhere , Shylock misconstrues and takes Portia's use of the word " must " to mean compulsion rather than , as she intends , a posing of alternatives . . . . Finally , Portia invokes Christian doctrine : Therefore ...
Here as elsewhere , Shylock misconstrues and takes Portia's use of the word " must " to mean compulsion rather than , as she intends , a posing of alternatives . . . . Finally , Portia invokes Christian doctrine : Therefore ...
Seite 358
It seems almost as though Bassanio's rejection of the token that makes him one with Portia causes , in addition to the break ... In returning his wife's ring , Bassanio is in effect surrendering the talisman that Portia's own words have ...
It seems almost as though Bassanio's rejection of the token that makes him one with Portia causes , in addition to the break ... In returning his wife's ring , Bassanio is in effect surrendering the talisman that Portia's own words have ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |