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Seite 118
Imogen has been offered a choice between matrimonial salvation and matrimonial damnation and has chosen correctly . Finally , in Act One , Scene [ Six ] , in his flattery of Imogen , Iachimo returns to the first meaning when he speaks ...
Imogen has been offered a choice between matrimonial salvation and matrimonial damnation and has chosen correctly . Finally , in Act One , Scene [ Six ] , in his flattery of Imogen , Iachimo returns to the first meaning when he speaks ...
Seite 119
His confusion as to the nature of his and Imogen's love for one another leads him to admit Iachimo's basic proposition : that Imogen's love is a thing in Posthumus ' possibly temporary possession . It is not , or not entirely .
His confusion as to the nature of his and Imogen's love for one another leads him to admit Iachimo's basic proposition : that Imogen's love is a thing in Posthumus ' possibly temporary possession . It is not , or not entirely .
Seite 166
conscious ratiocination , but by unconscious association ; and ( 3 ) Imogen's misapprehension , rather than alienating the lovers as it did earlier in the play , now hints at their eventual reconciliation because Imogen , in her grief ...
conscious ratiocination , but by unconscious association ; and ( 3 ) Imogen's misapprehension , rather than alienating the lovers as it did earlier in the play , now hints at their eventual reconciliation because Imogen , in her grief ...
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accept action Additional Antonio appears argues audience Bassanio beauty becomes beginning bond Britain called casket character choice Christian claims Cloten comedy comes comic considered contrast court critics Cymbeline death disguise dramatic earlier effect Elizabethan essay experience expression fact father feeling figure final force further give given hand human Iachimo idea ideal Imogen important interest Italy Jessica justice kind King lead less lines lovers maintains meaning Merchant of Venice mind moral nature never once Othello play play's plot poet Portia possible Posthumus present provides question reason regarded relation represents revenge ring romance scene seems sense Shake Shakespeare Shylock significance speak speech stage story suggests symbolic theme thing trial true truth turn virtue vision whole
Bibliografische Informationen
| Titel | Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 4 Guide to Gale literary criticism series Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Laurie Lanzen Harris |
| Herausgeber | Laurie Lanzen Harris, Mark W. Scott |
| Verlag | Gale Research Company, 1984 |
| ISBN | 0810361280, 9780810361287 |
| Zitat exportieren | BiBTeX EndNote RefMan |