The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01.01.2002 - 347 Seiten Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Seite xviii
... structure ” or the “ power struc- ture ” ( terms in usage then ) , as well as the “ instituting discourse ” with its “ spirals of power ” ( familiar usage now ) that with more or less vanity is still being struggled against . At that ...
... structure ” or the “ power struc- ture ” ( terms in usage then ) , as well as the “ instituting discourse ” with its “ spirals of power ” ( familiar usage now ) that with more or less vanity is still being struggled against . At that ...
Seite xx
... structure into performance, they were, by more than indirec- tion, sometimes virulently, critiquing the theater itself. What was strange, alienating, unsettling in those plays was also a productive ungrounding, thus energizing my own ...
... structure into performance, they were, by more than indirec- tion, sometimes virulently, critiquing the theater itself. What was strange, alienating, unsettling in those plays was also a productive ungrounding, thus energizing my own ...
Seite xxii
... structure all came, in performance, out of the inscape of an impulse, as “an intense activity of mind, highly verbal, physically charged, like a kind of brain fever in the body, caught up almost acrobatically in the incessant ghosting ...
... structure all came, in performance, out of the inscape of an impulse, as “an intense activity of mind, highly verbal, physically charged, like a kind of brain fever in the body, caught up almost acrobatically in the incessant ghosting ...
Seite 12
... structure of theater— from the emergence of the happening out of the scene of action painting to the situationist dérive and its critique of commodity culture to vari- ous manifestations of autodestruction or the aesthetics of the ...
... structure of theater— from the emergence of the happening out of the scene of action painting to the situationist dérive and its critique of commodity culture to vari- ous manifestations of autodestruction or the aesthetics of the ...
Seite 31
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Inhalt
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York