The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01.01.2002 - 347 Seiten Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Seite xvi
... difference does it make ? Whether or not it made a difference , those questions took on a phan- tasmaphysical aspect in the methodology of kraken , a process we called “ ghosting , " which is how Elsinore was developed through numerous ...
... difference does it make ? Whether or not it made a difference , those questions took on a phan- tasmaphysical aspect in the methodology of kraken , a process we called “ ghosting , " which is how Elsinore was developed through numerous ...
Seite 6
... difference and, with certain reigning pieties, discourse of power. History, it has been said, is the thing that hurts, but if we are really keep- ing up with that history it may also be time for a slight revision of the protocol from ...
... difference and, with certain reigning pieties, discourse of power. History, it has been said, is the thing that hurts, but if we are really keep- ing up with that history it may also be time for a slight revision of the protocol from ...
Seite 14
... difference at the living end of the real. If we see the body of the performer today flattened into a photograph, as in the case of Cindy Sherman, it is in a sense both living and dead, and the degree of its living depends not only on ...
... difference at the living end of the real. If we see the body of the performer today flattened into a photograph, as in the case of Cindy Sherman, it is in a sense both living and dead, and the degree of its living depends not only on ...
Seite 15
... difference , with the ob- ject disappearing into the subjectivity of perception . Which is not to make the case for , as they say , “ releasing subjectivity . ” If subjectivity is going to be released , it is into a field of cross ...
... difference , with the ob- ject disappearing into the subjectivity of perception . Which is not to make the case for , as they say , “ releasing subjectivity . ” If subjectivity is going to be released , it is into a field of cross ...
Seite 16
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Inhalt
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York