The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01.01.2002 - 347 Seiten Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Ergebnisse 1-5 von 36
Seite xvi
... developed through numerous re- visions over the course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may ...
... developed through numerous re- visions over the course of a year . If what it was in performance has reced- ed into memory with the Ghost's “ Remember me ” ( 1.5.91 ) , the analyti- cal scenario which follows in the collection — may ...
Seite xvii
... develop an electronic opera ( largely computer- generated ) by my former music director , Morton Subotnick . As I thought about what we were doing , and ideas informing the work — once we were into it , mostly by reflex — it seemed a ...
... develop an electronic opera ( largely computer- generated ) by my former music director , Morton Subotnick . As I thought about what we were doing , and ideas informing the work — once we were into it , mostly by reflex — it seemed a ...
Seite xviii
... developed a considerable follow- ing among the labor unions and with its newspaper , The People's World , giving us rave reviews — the Communist Party . It was not long , however , before they were somewhat disenchanted by our ...
... developed a considerable follow- ing among the labor unions and with its newspaper , The People's World , giving us rave reviews — the Communist Party . It was not long , however , before they were somewhat disenchanted by our ...
Seite xxii
... developed in San Francisco (he came out to visit when he was reviewing for The Nation) made it all the more poignantly ironic when Jules Irving and I went to New York, displacing him, along with Elia Kazan and Robert Whitehead, as we ...
... developed in San Francisco (he came out to visit when he was reviewing for The Nation) made it all the more poignantly ironic when Jules Irving and I went to New York, displacing him, along with Elia Kazan and Robert Whitehead, as we ...
Seite 15
... develop a better culture or something other than culture , though it should be clear enough — since the fall of the Berlin Wall and , after the euphoria , the demoralization of Europe that with all the pre- sumptions of recent discourse ...
... develop a better culture or something other than culture , though it should be clear enough — since the fall of the Berlin Wall and , after the euphoria , the demoralization of Europe that with all the pre- sumptions of recent discourse ...
Inhalt
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York