The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01.01.2002 - 347 Seiten Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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Seite ix
... artistic and cultural practices through the quadrivium of social construction (gender, race, ethnicity, class), it may seem peculiar to encounter, from the opening essay on, a view of the theater so insistently ontological. If that ...
... artistic and cultural practices through the quadrivium of social construction (gender, race, ethnicity, class), it may seem peculiar to encounter, from the opening essay on, a view of the theater so insistently ontological. If that ...
Seite xvii
... artist, I had also come to believe. If art can no longer be thought autonomous in the strict formalist sense, it can do without the enclosure of a ready Foucauldian rhetoric, nor will it be opened to material reality, the contested ...
... artist, I had also come to believe. If art can no longer be thought autonomous in the strict formalist sense, it can do without the enclosure of a ready Foucauldian rhetoric, nor will it be opened to material reality, the contested ...
Seite 13
... artists were, to be sure, influenced by Artaud, and in their work—as in his last harrowing performance at the Vieux Colombier13— it is a virtual ethical principle to literalize the pain. So it is in the performances of Stelarc today ...
... artists were, to be sure, influenced by Artaud, and in their work—as in his last harrowing performance at the Vieux Colombier13— it is a virtual ethical principle to literalize the pain. So it is in the performances of Stelarc today ...
Seite 14
... artists with specific political intent, and despite its arising from the rather elitist context of the conceptualism of the seventies, it was absorbed very rapidly into the politics of identity, as in the early confessional modes of ...
... artists with specific political intent, and despite its arising from the rather elitist context of the conceptualism of the seventies, it was absorbed very rapidly into the politics of identity, as in the early confessional modes of ...
Seite 20
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Inhalt
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Keine Leseprobe verfügbar - 2002 |
Häufige Begriffe und Wortgruppen
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York