History of English literature, tr. by H. van Laun, Band 2 |
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Seite v
... and rude - How they conform with the tastes of the Renaissance V. • Limits of his talent - Wherein he is inferior to Molière - Want of higher philosophy and comic 21 • gaiety - His imagination and Fancy - The Staple of.
... and rude - How they conform with the tastes of the Renaissance V. • Limits of his talent - Wherein he is inferior to Molière - Want of higher philosophy and comic 21 • gaiety - His imagination and Fancy - The Staple of.
Seite x
... Molière's Amphitryon . • VIII . Wycherley - Life - Character - Melancholy , greed , immodesty - Love in a Wood , Country Wife , Dancing Master - Licentious pictures , and re- pugnant details - His energy and realism - Parts of Olivia ...
... Molière's Amphitryon . • VIII . Wycherley - Life - Character - Melancholy , greed , immodesty - Love in a Wood , Country Wife , Dancing Master - Licentious pictures , and re- pugnant details - His energy and realism - Parts of Olivia ...
Seite xi
... Molière -General ideas in Molière - How in Molière the odious is concealed , while the truth is de- picted - How in Molière the honest man is still the man of the world - How the respectable man of Molière is a French type VII . Action ...
... Molière -General ideas in Molière - How in Molière the odious is concealed , while the truth is de- picted - How in Molière the honest man is still the man of the world - How the respectable man of Molière is a French type VII . Action ...
Seite 11
... Molière ; we want nothing else of them . On the contrary , the others weary and repel us . They are stage - masks , not living figures . Having acquired a fixed expression , they persist to the end of the piece in their unvarying ...
... Molière ; we want nothing else of them . On the contrary , the others weary and repel us . They are stage - masks , not living figures . Having acquired a fixed expression , they persist to the end of the piece in their unvarying ...
Seite 12
... all the characters unite to illustrate ; in short , an art like that which Molière and Racine were about to apply and teach . He does not , like Shak- speare , take a novel from Greene , a chronicle 12 BOOK II . THE RENAISSANCE .
... all the characters unite to illustrate ; in short , an art like that which Molière and Racine were about to apply and teach . He does not , like Shak- speare , take a novel from Greene , a chronicle 12 BOOK II . THE RENAISSANCE .
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Häufige Begriffe und Wortgruppen
amidst Areopagitica beauty become Ben Jonson brain breath Cæsar characters Christ Christian church comedy conscience Coriolanus Corvino cries Cymbeline Cynthia's Revels death Desdemona divine doth dream dry idea emotions England English eyes faith fall fancy father genius grace Hamlet hand hath head hear heart heaven human Ibid ideas images imagination insults James Nayler Jonson Juliet king lady living look Lord Macbeth manners married metaphors Milton mind Mitford Molière monomania moral Morose Mosca murder nature never night noble Othello passion Pilgrim's Progress play pleasure poet poetical poetry pray priest Puritan reason Reformation religion Renaissance Romeo Romeo and Juliet says Scripture Sejanus sensuality sentiments sermon Shakspeare Shakspeare's sing Sonnet Sonnet 29 Sonnets 91 soul speak spirit style sublime sweet thee things thou thought tion unto vice virtue Volpone whilst whole wife woman words
Beliebte Passagen
Seite 64 - No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay if you read this line, remember not The hand that writ it : for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe.
Seite 274 - ... books are not absolutely dead things but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively and as vigorously productive as those fabulous dragons teeth, and being sown up and down may chance to spring up armed men.
Seite 121 - I have of late, — but wherefore I know not, — lost all my mirth, forgone all custom of exercises; and indeed, it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, — why, it appears no other thing to me than a foul and pestilent congregation of vapours.
Seite 92 - O then, I see, queen Mab hath been with you. She is the fairies' midwife ; and she comes In shape no bigger than an agate-stone On the fore-finger of an alderman, Drawn with a team of little atomies Athwart men's noses as they lie asleep : Her waggon-spokes made of long spinners...
Seite 116 - She should have died hereafter ; There would have been a time for such a word. To-morrow, and to-morrow, and to-morrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death.
Seite 299 - Created pure. But know, that in the soul Are many lesser faculties, that serve Reason as chief ; among these Fancy next Her office holds ; of all external things, Which the five watchful senses represent, She forms imaginations, aery shapes, Which Reason, joining or disjoining, frames All what we affirm or what deny, and call Our knowledge or opinion ; then retires Into her private cell, when nature rests.
Seite 282 - Bring the rathe primrose that forsaken dies, The tufted crow-toe and pale jessamine, The white pink and the pansy freaked with jet, The glowing violet, The musk-rose and the well-attired woodbine, With cowslips wan that hang the pensive head, And every flower that sad embroidery wears : Bid Amaranthus all his beauty shed, And daffadillies fill their cups with tears, To strew the laureate hearse where Lycid lies.
Seite 288 - Can any mortal mixture of earth's mould Breathe such divine enchanting ravishment? Sure something holy lodges in that breast, And with these raptures moves the vocal air To testify his hidden residence. How sweetly did they float upon the wings Of silence, through the empty-vaulted night, At every fall smoothing the raven down Of darkness till it smiled...
Seite 197 - For so have I seen a lark rising from his bed of grass, and soaring upwards, singing as he rises, and hopes to get to heaven and climb above the clouds ; but the poor bird was beaten back with the loud sighings of an eastern wind, and his motion made irregular and inconstant, descending more at every breath of the tempest, than it could recover by the libration and frequent weighing of his wings, till the little creature was forced to sit down and pant and stay till the storm was over ; and then...
Seite 308 - And I turned to see the voice that spake with me. And being turned, I saw SEVEN GOLDEN CANDLESTICKS and in the midst of the Seven Candlesticks one like unto the SON OF MAN clothed with a garment down to the foot, and girt about the paps (breast) with a golden girdle.