Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 266
... Tragedy : Its Art and Its Christian Premises ( Bloomington : Indiana University Press , 1969 ) . Belsey , Catherine , The Subject of Tragedy : Identity and Difference in Renaissance Drama ( London : Methuen , 1985 ) . Booth , Stephen ...
... Tragedy : Its Art and Its Christian Premises ( Bloomington : Indiana University Press , 1969 ) . Belsey , Catherine , The Subject of Tragedy : Identity and Difference in Renaissance Drama ( London : Methuen , 1985 ) . Booth , Stephen ...
Seite 267
... Tragedy , " Reconsidering the Renaissance : Papers from the Twenty - First Annual Conference , ed . Mario A. Di Cesare ( Medieval and Renaissance Texts and Studies 93 , Binghamton : Medieval and Renaissance Texts and Studies , 1992 ) pp ...
... Tragedy , " Reconsidering the Renaissance : Papers from the Twenty - First Annual Conference , ed . Mario A. Di Cesare ( Medieval and Renaissance Texts and Studies 93 , Binghamton : Medieval and Renaissance Texts and Studies , 1992 ) pp ...
Seite 283
... TRAGEDY ? Neither the tragedy " of a people that has lost its hero " as Brecht argues , nor simply that of the lone figure of Coriolanus himself , Coriolanus is the tragedy of the gap that looms between the private " true " Self and a ...
... TRAGEDY ? Neither the tragedy " of a people that has lost its hero " as Brecht argues , nor simply that of the lone figure of Coriolanus himself , Coriolanus is the tragedy of the gap that looms between the private " true " Self and a ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York