Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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... sense of this method we might con- sider just a few of his more suspect interpretative find- ings . For example ... sense to take the term " material " in its traditional Marxist sense : the " historical " as located in a culture's ...
... sense of this method we might con- sider just a few of his more suspect interpretative find- ings . For example ... sense to take the term " material " in its traditional Marxist sense : the " historical " as located in a culture's ...
Seite 53
... sense of unstable and unpredictable , to any real or utopian social construct , including those of this play , we can agree with Valerie Traub that , if the play re- fuses to enact some ' paradisaical , erotic economy , a utopian return ...
... sense of unstable and unpredictable , to any real or utopian social construct , including those of this play , we can agree with Valerie Traub that , if the play re- fuses to enact some ' paradisaical , erotic economy , a utopian return ...
Seite 288
... sense , " though the staging of the dual banishment does create sense within the frame of the play . That is , once we have understood Coriolanus's belief that all of Rome has " mountebanked " its love , and " cogged " itself , it is ...
... sense , " though the staging of the dual banishment does create sense within the frame of the play . That is , once we have understood Coriolanus's belief that all of Rome has " mountebanked " its love , and " cogged " itself , it is ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York