Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 49
... reference point for critical reflection on the non - utopian real to which we are condemned . The play establishes ... references to the march of time in Arden as further indications of the non - Adamic , finite quality of this ...
... reference point for critical reflection on the non - utopian real to which we are condemned . The play establishes ... references to the march of time in Arden as further indications of the non - Adamic , finite quality of this ...
Seite 136
... reference is to Arthur's body alone . Falconbridge is critical of John , but this need not impugn his legitimacy , as the terms he uses recall those used by the nobles disapproving of John's recrowning in 4.2 . Each reference to John ...
... reference is to Arthur's body alone . Falconbridge is critical of John , but this need not impugn his legitimacy , as the terms he uses recall those used by the nobles disapproving of John's recrowning in 4.2 . Each reference to John ...
Seite 162
... references to heads in this scene ( 5.1 ) ac- quire a bizarre resonance . One such reference occurs immediately following the knighting of Iden , when Henry attempts to prevent Somerset , accompanied by Margaret , from entering York's ...
... references to heads in this scene ( 5.1 ) ac- quire a bizarre resonance . One such reference occurs immediately following the knighting of Iden , when Henry attempts to prevent Somerset , accompanied by Margaret , from entering York's ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York