Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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... means of producing that atmosphere . As is well known , Shakespeare's stage , although it relied on various means of visual representation ( costume , prop- erties ) employed little or no scenery , so that what one " saw " depended a ...
... means of producing that atmosphere . As is well known , Shakespeare's stage , although it relied on various means of visual representation ( costume , prop- erties ) employed little or no scenery , so that what one " saw " depended a ...
Seite 324
... means of the sharp- # in the melody ) . The more substantial shift here creates the expectation that the song has modulated to the domi- nant key , a modulation that coincides with the apo- theosis of Alonso into coral and pearls . The ...
... means of the sharp- # in the melody ) . The more substantial shift here creates the expectation that the song has modulated to the domi- nant key , a modulation that coincides with the apo- theosis of Alonso into coral and pearls . The ...
Seite 335
... means of moving along to a different type of critique . This attempt , then , is to redeem The Tempest from too much redemption . ' As the traditional aesthetic allegory of this play has been synthesized into the history of ...
... means of moving along to a different type of critique . This attempt , then , is to redeem The Tempest from too much redemption . ' As the traditional aesthetic allegory of this play has been synthesized into the history of ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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