Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 122
... history play as a genre is fundamentally antagonistic to women and the " feminine " : The myth of the history plays involves fathers and sons . It does not involve mothers , daughters , or wives . Antagonists and consorts , queens and ...
... history play as a genre is fundamentally antagonistic to women and the " feminine " : The myth of the history plays involves fathers and sons . It does not involve mothers , daughters , or wives . Antagonists and consorts , queens and ...
Seite 132
... history plays " depicts a crucial point in the inaugura- tion of " the relativism of the modern age " .3 But for the ... history play genre . What John is sceptical about , in other words , is other historical accounts of John's reign ...
... history plays " depicts a crucial point in the inaugura- tion of " the relativism of the modern age " .3 But for the ... history play genre . What John is sceptical about , in other words , is other historical accounts of John's reign ...
Seite 145
... history plays is almost exactly contemporaneous with the war . There were history plays in England both before 1588 ( such as Bale's Kynge Johan , Norton and Sackville's Gorbo- duc , and Thomas Preston's Cambises ) and after 1603 ...
... history plays is almost exactly contemporaneous with the war . There were history plays in England both before 1588 ( such as Bale's Kynge Johan , Norton and Sackville's Gorbo- duc , and Thomas Preston's Cambises ) and after 1603 ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York