Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 175
... figure of legal excess , an identity given specific significance by the " figures and comparisons " drawn between England's warrior - king and the cel- ebrated conqueror whom Fluellen calls " Alexander the Pig . " The play provides ...
... figure of legal excess , an identity given specific significance by the " figures and comparisons " drawn between England's warrior - king and the cel- ebrated conqueror whom Fluellen calls " Alexander the Pig . " The play provides ...
Seite 389
... figure 16 : 183 ; 25 : 109 as Vice figure 1 : 342 , 361 , 366 , 374 flattery 22 : 395 gender issues 13 : 183 ; 25 : 151 Hal as the central character 1 : 286 , 290 , 314 , 317 , 326 , 338 , 354 , 366 , 374 , 396 dual personality 1 : 397 ...
... figure 16 : 183 ; 25 : 109 as Vice figure 1 : 342 , 361 , 366 , 374 flattery 22 : 395 gender issues 13 : 183 ; 25 : 151 Hal as the central character 1 : 286 , 290 , 314 , 317 , 326 , 338 , 354 , 366 , 374 , 396 dual personality 1 : 397 ...
Seite 393
... figure 3 : 229 , 269 , 275 , 289 , 318 self - awareness 3 : 312 , 329 , 338 ; 16 : 317 as sympathetic figure 3 : 229 , 306 , 314 , 338 ; 29 : 139 , 152 Macduff 3 : 226 , 231 , 253 , 262 ,; 25 : 235 ; 29 : 127 , 133 , 155 madness 19 ...
... figure 3 : 229 , 269 , 275 , 289 , 318 self - awareness 3 : 312 , 329 , 338 ; 16 : 317 as sympathetic figure 3 : 229 , 306 , 314 , 338 ; 29 : 139 , 152 Macduff 3 : 226 , 231 , 253 , 262 ,; 25 : 235 ; 29 : 127 , 133 , 155 madness 19 ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York