Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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... course not to valorize but to expose them , as part of a " strategy by which sovereign power might at once be praised and effaced as power in a colonialist dis- course . " 21 " Atmosphere " -dreamlike , magical , and thereby either ...
... course not to valorize but to expose them , as part of a " strategy by which sovereign power might at once be praised and effaced as power in a colonialist dis- course . " 21 " Atmosphere " -dreamlike , magical , and thereby either ...
Seite 330
... course , the only author of his plays : some were clearly written in collaboration ; all become collaborative work in the course of theatri- cal production . In The Tempest , " Shakespeare's music " was mainly Robert Johnson's - not ...
... course , the only author of his plays : some were clearly written in collaboration ; all become collaborative work in the course of theatri- cal production . In The Tempest , " Shakespeare's music " was mainly Robert Johnson's - not ...
Seite 361
... course is plotted on a map.4 Though seemingly inconsequential in themselves , these lapses may undermine an attentive audience's confi- dence in Pericles ' ability to control himself and his world . After Pericles deciphers Antiochus ...
... course is plotted on a map.4 Though seemingly inconsequential in themselves , these lapses may undermine an attentive audience's confi- dence in Pericles ' ability to control himself and his world . After Pericles deciphers Antiochus ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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