Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 110
... audience in 1533 is of course history to his audience in 1613. In short , how we respond to the play as a whole depends greatly on how we respond to Cranmer's rendering of Tudor- Stuart history . Commentators who view the play as an ...
... audience in 1533 is of course history to his audience in 1613. In short , how we respond to the play as a whole depends greatly on how we respond to Cranmer's rendering of Tudor- Stuart history . Commentators who view the play as an ...
Seite 118
... audience's wishful memories and lingering regrets over Elizabeth's denial of their wish . Perhaps a Jacobean audience may not have grasped the intricacies of Cranmer's maneuver , but its general sense the intimate association between ...
... audience's wishful memories and lingering regrets over Elizabeth's denial of their wish . Perhaps a Jacobean audience may not have grasped the intricacies of Cranmer's maneuver , but its general sense the intimate association between ...
Seite 137
... audience accepting John's legiti- macy need not have understood him to challenge this right , and it is possible to imagine a performance which makes clear that John is legitimate King . His legiti- macy is further buttressed by the ...
... audience accepting John's legiti- macy need not have understood him to challenge this right , and it is possible to imagine a performance which makes clear that John is legitimate King . His legiti- macy is further buttressed by the ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York