Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 51
... Rosalind's chief tactics in her disguised en- counters with Orlando is to speak for the interests of the desiring female body against the heroic Petrarchan discourse of Orlando , 30 whether in the unequivocal discourse of one of her ...
... Rosalind's chief tactics in her disguised en- counters with Orlando is to speak for the interests of the desiring female body against the heroic Petrarchan discourse of Orlando , 30 whether in the unequivocal discourse of one of her ...
Seite 53
... Rosalind still must speak a deconstructing epilogue , to which I will return below ) . The unstable chain of mismatched lovers which Rosalind had initiated when Silvius fell in love with her as Ganymede is stabilized when the country ...
... Rosalind still must speak a deconstructing epilogue , to which I will return below ) . The unstable chain of mismatched lovers which Rosalind had initiated when Silvius fell in love with her as Ganymede is stabilized when the country ...
Seite 57
... Rosalind to Orlando . In contrast , for feminist critics Rosalind tends to be central . 29 See Dusinberre , ' As Who Liked It ? ' , on the connec- tions with Ariosto ( and his English translator John Harington ) of Orlando , whose ...
... Rosalind to Orlando . In contrast , for feminist critics Rosalind tends to be central . 29 See Dusinberre , ' As Who Liked It ? ' , on the connec- tions with Ariosto ( and his English translator John Harington ) of Orlando , whose ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York