Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 109
... Henry VIII Ivo Kamps , University of Mississippi Martha A. Kurtz , Southampton College of Long Island University. The methods and politics of history writing intrigued Shakespeare throughout his career as a dramatist . Among his earliest ...
... Henry VIII Ivo Kamps , University of Mississippi Martha A. Kurtz , Southampton College of Long Island University. The methods and politics of history writing intrigued Shakespeare throughout his career as a dramatist . Among his earliest ...
Seite 119
... Henry VIII never rejects the possible existence or power of providence . Nor , how- ever , does it illustrate or exalt that power , or even show a definite instance of its involvement in human history . In a perverse way , providence ...
... Henry VIII never rejects the possible existence or power of providence . Nor , how- ever , does it illustrate or exalt that power , or even show a definite instance of its involvement in human history . In a perverse way , providence ...
Seite 120
... Henry VIII : What Shake- speare Saw in When You See Me , You Know Me . " Cahiers Elisabéthains 23 ( 1983 ) : 47-59 . Cespedes , Frank . V. " We are one in fortunes ' : The Sense of History in Henry VIII " English Literary Renaissance 10 ...
... Henry VIII : What Shake- speare Saw in When You See Me , You Know Me . " Cahiers Elisabéthains 23 ( 1983 ) : 47-59 . Cespedes , Frank . V. " We are one in fortunes ' : The Sense of History in Henry VIII " English Literary Renaissance 10 ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York