Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 37Gale Research Company, 1998 |
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Seite 283
... Coriolanus himself , Coriolanus is the tragedy of the gap that looms between the private " true " Self and a public realm of tacitly accepted opportunistic mendac- ity.2 The public world in Coriolanus is very like that of Richard III ...
... Coriolanus himself , Coriolanus is the tragedy of the gap that looms between the private " true " Self and a public realm of tacitly accepted opportunistic mendac- ity.2 The public world in Coriolanus is very like that of Richard III ...
Seite 284
... Coriolanus himself , but rather an exploration of the play's criticism of the political and linguistic norms of its own universe . A play may succeed even where its hero failed . And may even succeed in doing exactly what its hero has ...
... Coriolanus himself , but rather an exploration of the play's criticism of the political and linguistic norms of its own universe . A play may succeed even where its hero failed . And may even succeed in doing exactly what its hero has ...
Seite 288
... Coriolanus is pre- cisely to shed a devastating light on the Roman ban- ishment of Coriolanus without implying that Coriolanus himself is capable of fully reciprocating the act of banishment . The play depicts the banishment of Corio ...
... Coriolanus is pre- cisely to shed a devastating light on the Roman ban- ishment of Coriolanus without implying that Coriolanus himself is capable of fully reciprocating the act of banishment . The play depicts the banishment of Corio ...
Inhalt
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
Urheberrecht | |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York