John Gay's The Beggar's OperaHarold Bloom Chelsea House Publishers, 1988 - 143 Seiten |
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Seite 84
... burlesque . Gay delib- erately avoids direct parody and close burlesque because this might well have prevented him from achieving a self - sufficient " opera " capable of standing as an independent work of art . Musically , there are ...
... burlesque . Gay delib- erately avoids direct parody and close burlesque because this might well have prevented him from achieving a self - sufficient " opera " capable of standing as an independent work of art . Musically , there are ...
Seite 89
... burlesque humour ; and while it is unlikely that Gay intended to parody any specific arias , he does occasionally enhance the burlesque by making the hackneyed similes mentioned in the introduction by the Beggar express attitudes ...
... burlesque humour ; and while it is unlikely that Gay intended to parody any specific arias , he does occasionally enhance the burlesque by making the hackneyed similes mentioned in the introduction by the Beggar express attitudes ...
Seite 133
... Burlesque , and Italian Opera . " Music and Letters 17 ( 1936 ) : 93–105 . Bloom , Edward A. , and Lillian D. Bloom . Satire's Persuasive Voice . Ithaca : Cornell University Press , 1979 . Boas , Frederick S. An Introduction to 18th ...
... Burlesque , and Italian Opera . " Music and Letters 17 ( 1936 ) : 93–105 . Bloom , Edward A. , and Lillian D. Bloom . Satire's Persuasive Voice . Ithaca : Cornell University Press , 1979 . Boas , Frederick S. An Introduction to 18th ...
Inhalt
Mockpastoral as the Cult | 5 |
Mercenary Fathers Possessive Daughters | 37 |
The Beggars Triumph | 43 |
Urheberrecht | |
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