The skies, the fountains, every region near So flew'd, so sanded; and their heads are hung Slow in pursuit, but match'd in mouth-like bells; Ege. My lord, this is my daughter here asleep: The. No doubt, they rose up early, to observe The rite of May; and, hearing our intent, Came here in grace of our solemnity.But, speak, Egens; is not this the day That Hermia should give answer of her choice? Ege. It is, my lord. The. Go, bid the huntsmen wake them with their horns. Horns and shout within. Demetrius, Lysander, The. He and the rest kneel to Theseus. I pray you all, stand up I know you are two rival enemies; How comes this gentle concord in the world, That hatred is so far from jealousy, To sleep by hate, and fear no enmity? Lys. My lord, I shall reply amazedly, Half 'sleep, half waking; But as yet, I swear, I cannot truly say how I came here: But, as I think (for truly would I speak,And now I do bethink me, so it is,) I came with Hermia hither: our intent Was to be gone from Athens, where we might be I beg the law, the law, upon his head.- Thereby to have defeated you and me: Of this their purpose hither, to this wood; The. Fair lovers, you are fortunately met: Are you sure That we are awake? It seems to me, The duke was here, and bid us follow him? As they go out, Bottom awakes. Bot. When my cue comes, call me, and I will answer :-my next is, Most fair Pyramus.Hey, ho!-Peter Quince! Flute, the bellowsmy life! stolen hence, and left me asleep! I have mender! Snout, the tinker! Starveling! God's had a most rare vision. I have had a dream,— past the wit of man to say what dream it was: Man is but an ass, if he go about to expound this dream. Methought I was-there is no man can tell what. Methought I was, and methought 1 had,-But man is but a patched fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report, what my dream was. I will get Peter Quince to write a ballad of this dream it shall be called Bottom's Dream, because it hath no bottom; and I will sing it in the latter end of a play, before the cious, I shall sing it at her death. duke: Peradventure, to make it the more gra [Exit. SCENE II. Athens. A Room in Quince's House. Enter Quince, Flute, Snout, and Starveling. Quin. Have you sent to Bottom's house? is he come home yet? Star. He cannot be heard of. Out of doubt, he is transported. Flu. If he come not, then the play is marred; It goes not forward, doth it? Quin. It is not possible: you have not a man in all Athens able to discharge Pyramus, but he. Flu. No; he hath simply the best wit of any handicraft man in Athens. Quin. Yea, and the best person too: and he is a very paramour, for a sweet voice. Flu. You must say, paragon: a paramour is God bless us, a thing of nought. Enter Snug. Snug. Masters, the duke is coming from the temple, and there is two or three lords and la dies more married if our sport had gone forward, we had all been made men. Flu. O sweet bully Bottom! Thus hath he lost sixpence a-day during his life; he could not have 'scaped sixpence a-day: an the duke had not given him sixpence a-day for playing Pyramus, I'll be hang'd; he would have deserved it: sixpence a-day, in Pyramus, or nothing. Enter Bottom. Bot. Where are these lads? where are these hearts? Quin. Bottom!-0 most courageous day! O The lazy time, if not with some delight? most happy hour! Philost. There is a brief, how many sports are ripe; Bot. Masters, I am to discourse wonders: but ask me not what: for, if I tell you, I am no true Athenian. I will tell you every thing, right as it fell out. Make choice of which your highness will see The. [Reads. The battle with the Centaurs, Quin Let us hear, sweet Bottom. Bot. Not a word of me. All that I will tell By an Athenian eunuch to the harp. you, is, that the duke hath dined: Get your We'll none of that: that have I told my love, apparel together; good strings to your beards, In glory of my kinsman Hercules. new ribbons to your pumps: meet presently at The riot of the tipsy Bacchanals, the palace; every man look o'er his part; for, Tearing the Thracian singer in their rage. the short and the long is, our play is preferred. That is an old device; and it was play'd In any case, let Thisby have clean linen; and When I from Thebes came last a conqueror, let not him, that plays the lion, pare his nails, The thrice three Muses mourning for the death for they shall hang out for the lion's claws. Of learning, late deceas'd in beggary. And, most dear actors, eat no onions, nor gar-That is some satire, keen, and critical, lick, for we are to utter sweet breath; and I do not doubt, but to hear them say, it is a sweet comedy. No more words; away; go, away. [Exeunt. ACT V. SCENE I. The same. An Apartment in the Palace of Theseus. Enter Theseus, Hippolyta, Philostrate, Lords, and Attendants. Hip. 'Tis strange, my Theseus, that these lovers speak of. The. More strange than true. I never may These antique fables, nor these fairy toys. One sees more devils than vast hell can hold; And, as imagination bodies forth The forms of things unknown, the poet's pen Hip. But all the story of the night told over, Enter Lysander, Demetrius, Hermia, and The. Here come the lovers, full of joy and More than to us Joy, gentle friends! joy, and fresh days of love, To wear away this long age of three hours, Philost. Here, mighty Theseus. The. Say, what abridgment have you for this evening? What mask? what musick? How shall we beguile Not sorting with a nuptial ceremony. words long; Which is as brief as I have known a play; Athens here, Which never labour'd in their minds till now; No, my noble lord, And duty in his service perishing. The. Why, gentle sweet, you shall see no such thing. Hip. He says they can do nothing in this kind. nothing. Our sport shall be, to take what they mistake: Noble respect takes it in might, not merit. To greet me with premeditated welcomes; I read as much, as from the rattling tongue Enter Philostrate. Philost. So please your grace, the prologue is addrest. The. Let him approach. [Flourish of trumpets 1 "To whisper; at the which let no man wonder. "This man, with lantern, dog, and bush of thorn. "Presenteth moon-shine: for, if you will know, "By moon-shine did these lovers think no scorn. "To meet at Ninus' tomb, there, there to woo. "This grisly beast, which by name lion hight, "The trusty Thisby, coming first by night, "Did scare away, or rather did affright: "And, as she fled, her mantle she did fall; "Which lion vile with bloody mouth did stain: "Anon comes Pyramus, sweet youth, and tall, "And finds his trusty Thisby's mantle slain: "Whereat with blade, with bloody blameful blade, "He ravely broach'd his boiling bloody breast; "And, Thisby, tarrying in mulberry shade, "His dagger drew, and died. For all the rest, "Let lion, moon-shine, wall, and lovers twain, "At large discourse, while here they do remain." [Exeunt Prol. Thisbe, Lion and Moonshine. The. I wonder, if the lion be to speak. Dem. No wonder, my lord: one lion may, when many asses do. Wall. In this same interlude it doth befall, "That I, one Snont by name, present a wall: "And such a wall, as I would have you think, "That had in it a cranny'd hole, or chink, "Through which the lovers, Pyramus and Thisby, "Did whisper often very secretly. "This loam, this rough-cast, and this stone doth show "That I am that same wall; the truth is so: And this the cranny is, right and sinister, "Through which the fearful lovers are to whisper." The. Would you desire lime and hair to speak better? Dem. It is the wittiest partition that ever heard discourse, my lord. The. Pyramus draws near the wall: silence! Enter Pyramus. Pyr. "O grim-look'd night ! O night with hue so black; night, which ever art, when day is not! "O night, O night, alack, alack, alack, "I fear my Thisby's promise is forgot!"And thon, O wall, O'sweet, O lovely wall, "That stand'st between her father's ground and mine; Thou wall, O'wall, O sweet, and lovely wall, "Show me thy chink, to blink through with mine eyne. [Wall holds up his fingers. "Thanks, courteous wall: Jove shield thee well for this! wicked wall, through whom I see no bliss: "But what see 1? No Thisby do I see. "Curst be thy stones for thus deceiving me !" The. The wall, methinks, being sensible, Pyr. No, in truth, sir, he should not. Deceiving should curse again. am to spy her through the wall. You shall see, me, is Thisby's cue: she is to enter now, and 1 it will fall pat as I told you:-Yonder she comes. Enter Thisbe. This. "O wall, full often hast thou heard my moans, "For parting my fair Pyramus and me: Thy stones with lime and hair knit up in thee." My cherry lips have often kiss'd thy stones: Pyr. "I see a voice: now will to the chink, "To spy an I can hear my Thisby's face. "Thisby !" This. "My love! thou art my love, I think." Pyr. "Think what thou wilt, I am thy lover's grace; "And like Limander am I trusty still." And, being done, thus wall away doth go." [Exeunt Wall, Pyramus, and Thisbe. The. Now is the mural down between the two neighbours. Dem. No remedy, my lord, when walls are so wilful to hear without warning. Hip. This is the silliest stuff that ever I heard. The. The best in this kind are but shadows: and the worst are no worse, if imagination amend them. Hip. It must be your imagination then, and not theirs. The. If we imagine no worse of them, than they of themselves, they may pass for excellent Here come two noble beasts in, a moon men. and a lion. Enter Lion and Moonshine. Lion. "You, ladies, you, whose gentle hearts do fear "The smallest monstrous mouse that creeps on floor, "May now, perchance, both quake and tremble here, "When lion rough in wildest rage doth roar. "Then know, that I, one Snug the joiner, am No lion fell, nor else no lion's dam: "For if I should as lion come in strife 1"Into this place, 'twere pity on my life." The. A very gentle beast, and of a good conscience. present: "Myself the man i' the moon do seem to be." The This is the greatest error of all the rest: the man should be put into the lantern: How is it else the man i' the moon? Dem. He dares not come there for the candle; for, you see, it is already in snuff. Hip. I am a weary of this moon: Would he would change! The. It appears, by his sma!l light of discretion, that he is in the wane: but yet, in courtesy, in all reason, we must stay the time. Lys. Proceed, moon. Moon. All that I have to say, is, to tell you, that the lantern is the moon; 1, the man in the moon; this thorn bush, my thorn bush; and this dog, my dog. Dem. Why, all these should be in the lantern; for they are in the moon. But silence; here comes Thisbe. Hip. Well shone, moon.-Truly, the moon shines with a good grace. The. Well moused, lion. [The Lion tears Thisbe's Mantle and exit. Dem. And so comes Pyramus. Lys. And then the moon vanishes. "I thank thee, moon, for shining now so bright. For, by thy gracious, golden, glittering streams, "I trust to taste of truest Thisby's sight. "But stay;-0 spite! "But mark;-Poor knight, "What dreadful dole is here? "Eyes, do you see 7 "How can it be ? "O dainty duck! O dear! "Thy mantle good, "What, stain'd with blood? "Approach, ye furies fell! "O'fates! come, come; "Cut thread and thrum; "Quail, crush, conclude, and quell !" The. This passion, and the death of a dear friend, would go near to make a man look sad. Hip. Beshrew my heart, but I pity the man. Pyr. O, wherefore, nature, didst thou lions frame? "Since lion vile hath here deflour'd my dear: Which is no, no-which was the fairest dame, That liv'd, that lov'd, that lik'd, that look'd, with cheer. "Come, tears, confound: Dies.-Exit Moonshine. Dem. No die, but an ace, for him; for he is but one. Lys. Less than an ace, man; for he is dead; he is nothing. The. With the help of a surgeon, he might yet recover, and prove an ass. Thisbe comes pack and finds her lover? Enter Thisbe. Hip. Methinks, she should not use a long one, Dem. And thus she moans, videlicet.- "Speak, speak. Quite dumb 7 "This cherry nose, "These yellow cowslip cheeks, "His eyes were green as leeks. "Come, come, to me, "With hands as pale as milk; "Since you have shore "With shears his thread of silk. "Come, trusty sword; "Come, blade, my breast imbrue : "And farewell, friends; "Thus Thisby ends: "Adien, adieu, adien." [Dies. The. Moonshine and lion are left to bury the dead. Dem. Ay, and wall too. Bot. No, I assure you; the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a Bergomask dance, between two of our company? The. No epilogue, I pray you: for your play needs no excuse.. Never excuse; for when the players are all dead, there need none to be blamed. Marry, if he that writ it, had play'd Pyramus, and hang'd himself in Thisbe's garter, it would have been a fine tragedy: and so it is, truly; and very notably discharged. But come, your Bergomask: let your epilogue alone. Here a dance of Clowns. The iron tongue of midnight hath told twelve:Lovers, to bed; 'tis almost fairy time. I fear we shall ontsleep the coming morn, As much as we this night have overwatch'd. This palpable-gross play hath well beguil'd The heavy gait of night.-Sweet friends, to bed.A fortnight hold we this solemnity In nightly revels, and new jollity. [Exeunt. SCENE II. Enter Puck. Puck. Now the hungry lion roars, Whilst the scritch-owl, scritching loud, In remembrance of a shroud. In the church-way paths to glide: By the triple Hecat's team, To sweep the dust behind the door. Enter Oberon and Titania, with their Train. Hop as light as bird from brier; Sing and dance it trippingly. Tita. First, rehearse this song by rote: SONG AND DANCE. Obe. Now, until the break of day, To the best bride-bed will we, And the blots of nature's hand Shall upon their children be.- And each several chamber bless, Make no stay; [Exeunt Oberon, Titania, and Train. Puck. we shadows have offended, Think but this, (and all is mended,) Now to 'scape the serpent's tongue, So, good night unto you all. Give me your hands, if we be friends, LOVE'S LABOUR'S LOST. PERSONS REPRESENTED. FERDINAND, King of Navarre. BIRON, COSTARD, a Clown. LONGAVILLE, Lords, attending on the MOTH, Page to Armado. DUMAIN, King. BOYET, Lords,attending on the Princess MERCADE, of France. DON ADRIANO DE ARMADO, a fantastical SIR NATHANIEL, a Curate. ACT I. A Forester. ROSALINE, [Exit. Princess of France. MARIA, KATHARINE, Ladies, attending on the Princess. JAQUENETTA, a country Wench. Officers and others, attendants on the King and Princess. SCENE-Navarre. SCENE L Navarre. A Park with a Palace in it. Enter the King, Biron, Longaville, and Dumain. King. Let fame, that all hunt after in their lives, Live register'd upon our brazen tombs, And make us heirs of all eternity. Our court shall be a little Academe, names; That his own hand may strike his honour down, The mind shall banquet, though the body pine: |