Abbildungen der Seite
PDF
EPUB

Dat Oat-mo-bile yust boomped me
Oop de side valk on an' stopt;
An' bucked me thro' de window
Of one dem butcher-shop.

He split me nose bay my face oop
He smash me almost dead;
He punch de inside of me mouth
All outside of me hade.
He hurt me eye so bad in one
Ay'm blin' yust like a beetle.
In oder one, Ay can see some
But only just a little.

De las Ay see of dat machine
He bane a buckin' still.
Ay tink he feed too many oat
Tod at old Oat-mo-bile.
Ay tell my wife, if I get vell
You bet I vill not monkey
Some anoder time with
Any Oat-mo-bile.

ALMOST BEYOND ENDURANCE

BY JAMES WHITCOMB RILEY

I ain't a-goin' to cry no more, no more!

I'm got earache, an' ma can't make it quit a-tall;
An' Carlo bite my rubber-ball

An' puncture it; an' Sis she take

An' poke my knife down through the stable-floor

An' loozed it,-blame it all!

But I ain't a-goin' to cry no more, no more!

By permission from "His Pa's Romance," copyright, 1903, the Bobbs-Merrin Com pany, Indianapolis, Ind.

An' Aunt Mame wrote she's comin' an' she can't,

Folks is come there!-An' I don't care if she is my aunt! An' my eyes stings; an' I'm

Ist coughin' all the time,

An' hurts me so, an' where my side's so sore,

Grampa felt where, an' he

Says, "Maybe it's pleurasy!"

But I ain't a-goin' to cry no more, no more!

An' I clumbed up an' felled off the fence,
An' Herbert he ist laugh at me!
An' my fi' cents,

It sticked in my tin bank, an' I ist tore
Purt night my fum-nail off a-tryin' to git
It out-nen smash it! An' it's in there yet!
But I ain't a-goin' to cry no more, no more !

Oo! I'm so wicked! an' my breath's so hot,
Ist like I run an' don't rest none

But ist run on when I ought to not;

Yes, an' my chin

An' lips all warpy, an' teeth's so fast,

An's a place in my throat I can't swaller past,—

An' they all hurt so!

An' oh, my oh!

I'm a-startin' ag'in,—

I'm a-startin' ag'in, but I won't fer shore!

I ist ain't a-goin to cry no more, no more!

PROOF POSITIVE

ANONYMOUS

I stept into my room one day

And saw some children there at play.
I sought my little girl and found her
With half a dozen youngsters round her;
Ard from the way she slapped her rule,

I knew that they were "playing school."
I gave my little girl a kiss-

A pleasure that I never miss.

A murmur through the schoolroom ran,

A smile pervaded every feature,

"He must be a committeeman!"

They loud exclaimed. "He kissed the teacher!"

THE IRISH PHILOSOPHER

ANONYMOUS

LADIES AND GINTLEMEN:-I see so many foine-lookin' people sittin' before me, that if you'll excuse me I'll be after takin' a seat myself.

You don't know me, I'm thinkin,' or some of yees 'ud be noddin' to me afore this.

I'm a walkin' pedestrian, a traveling philosopher; Terry O'Mulligan's me name. I'm from Dublin, where many philosophers before me was raised and bred. Oh, philosophy is a foine study. I don't know anything about it, but it's a foine study. Before I kim over I attinded an important meetin' of philosophers in Dublin, and the discussin' and talkin' you'd hear there about the world 'ud warm the very heart of Socrates or Aristotle himself. Well, there was a great many imminent and learned min there at the meetin,' and I was there, too; and while we was in the very thickest of a heated argument a man comes up to me, and says he, "Do you know what we're talkin' about?" "I do," says I, "but I don't understand yees." "Could you explain the sun's motion round the earth?" says he. "I could," says I; "but I'd not know could you understand me or not." "Well," says he,

"we'll see," says he.

Sure'n I didn't know anything how to get out of it then; so I piled in, for, says I to meself, never let on to anyone that you don't know anything, but make them believe that you do know all about it. So, says I to him, takin' up me shillalah this way (holding up a very crooked stick horizontally): "We will take that for

the straight line of the earth's equator." How's that for gehoggraphy? (To the audience.) Oh, that was straight till the other day I bent it in an argument.

"Very good" says he. "Well," says I, "now the sun rises in the east." (Placing the disengaged hand at the eastern end of the stick.) Well, he couldn't deny that; "and," says I, "he-he-he-rises in the mornin'." No more could he deny that. "Very early," says I; "and when he gets up he

"Darts his rosy beams

Through the mornin' gleams.'''

Do you moine the poetry there? (To the audience, with a smile.) "And he keeps on risin' an' risin' till he reaches his meridan." "What's that?" says he. "His dinner-toime," says I. "Sure'n that's my Latin for dinner-time. And when he gets his dinner

"He sinks to rest

Behind the glorious hills of the west.'''

Oh, begorra, there's more poetry. I feel it croppin' out all

over me.

"There," says I, well satisfied with mesilf, "will that do for ye?" "You haven't got done with him," says he.

"Done with him?" says I, kinder mad-like. "What more do you want me to do with him? Didn't I bring him from the east to the west? What more do you want?" "Oh," says he, "you have to have him back agin in the east the next mornin'!"

By Saint Patrick, and wasn't I near betrayin' me ignorance. Sure'n I thought there was a large family of suns, and they riz one after the other; but I gathered meself quick, and says I to him, "Well," says I, "I'm surprized you ax me that simple question. I thought any man 'ud know" says I, "when the sun sinks to rest in the west that er-when the sun- 99 says I. "You said that before" says he. "Well," I want to impress it strongly upon you," says I. "When the sun sinks to rest behind the glorious hills of the east-no, west-why, he-why, he waits till it grows very dark and then he goes back in the noight-toime!"

BELAGCHOLLY DAYS

ANONYMOUS

Chilly Dovebber with his boadigg blast

Dow cubs add strips the beddow add the lawd,
Eved October's suddy days are past-
Add Subber's gawd!

I kdow dot what it is to which I cligg
That stirs to sogg add sorrow, yet I trust
That still I sigg, but as the liddets sigg—
Because I bust.

Add dow, farewell to roses add to birds,
To larded fields and tigkligg streablets eke;
Farewell to all articulated words

I faid would speak.

Farewell, by cherished strolliggs od the sward,
Greed glades add forest shades, farewell to you;
With sorrowing heart I, wretched add forlord,
Bid you-achew! ! !

A PANTOMIME SPEECH

ANONYMOUS

Have you ever realized what a funny thing it is to see a lot of people talking and gesticulating and not hear a single sound from them? The next time you are in a crowded dining-room, close your ears with your hands, and you will be quickly converted to the Darwinian theory.

This was forcibly imprest upon my mind at a political gather

« ZurückWeiter »