History of Modern Design: Graphics and Products Since the Industrial RevolutionLaurence King Publishing, 2003 - 400 Seiten "This insightful, wide-ranging book surveys applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social, and commercial context in which the relationship developed. The effects of a vastly enlarged audience for the products of modern design and the complex dyanmic of mass consumption are also discussed. Part of this dynamic reveals that products serve as signs for desires that have little to do with need or function." -- book jacket. |
Im Buch
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... Direction and the New Advertising 251 Graphic Design and Technical Information 257 Scandinavia and Britain 259 Italy 270 Germany 275 The International Graphic Style 277 Means and Ends 284 Japan 286 Nakashima and Nature 288 Japan : A ...
... Direction and the New Advertising 251 Graphic Design and Technical Information 257 Scandinavia and Britain 259 Italy 270 Germany 275 The International Graphic Style 277 Means and Ends 284 Japan 286 Nakashima and Nature 288 Japan : A ...
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Inhalt
Acknowledgments | 9 |
SUPPLY DEMAND AND DESIGN 17001865 | 15 |
Elsewhere | 27 |
the Early Nineteenth Century | 34 |
Design Society and Standards | 45 |
Part II | 65 |
LArt Nouveau | 80 |
The Joy of Work | 106 |
Beyond the Bauhaus | 188 |
A Synthesis | 198 |
Part IV | 203 |
IO Art Design and Industry in the United | 205 |
INTERNATIONAL | 239 |
A Culture | 294 |
New Materials New Products | 317 |
Dimensions of Mass Culture | 336 |
Morris as Publisher | 112 |
The Arts and Crafts Movement in the US | 120 |
Chicago and Frank Lloyd Wright | 126 |
The American System of Manufacture | 133 |
The First Machine Age in Europe 166 | 169 |
The Bauhaus | 181 |
Politics Pluralism | 353 |
An Act | 363 |
Timeline | 385 |
396 | |
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Häufige Begriffe und Wortgruppen
abstract activities advertising Aesthetic Movement aluminum Alvar Aalto American appear approach architect architecture Art Nouveau artists Arts and Crafts associated automobile Bauhaus Britain ceramics chair color commercial Company construction consumer consumption contemporary Corporation craftsman create DACS decorative arts Deutscher Werkbund developed early efforts elements emerged esthetic example exhibition expanding expression fashion featured furniture Germany glass graphic design Henry Dreyfuss Herman Miller housing illustrations images individual industrial design instance interior International Typographic Style Jean Dunand Le Corbusier London machine magazines manufactured ment metal Metropolitan Museum modern design molded Morris movement Museum of Art nineteenth century organic painter painting Paris patterns photographs plastic popular poster postwar printing Private collection promoted responsibility role sans serif sculptural seen serif shapes social standards steel Stijl style techniques tion traditional ture typeface typography United variety visual wood World World War II York