17. Shipton's Dia, 1659, 12m0.... 18. Pofthumous Poems of Richard Lovelace, 1659, 12m0.. 25. Treatife of Patience in Tribulation, 1625, 4to.. 64 31. J. Webster's Displaying of Suppofed Witchcraft, 1677, Fol....... 32. Fishing, a poem, tranflated from Vaniere by J. Duncombe, with notes 34. 38. Bibliographical Catalogue. 94 ORIGINAL PIECES. LXV. Difference between thought and action. Elevated fenti- ments not to be taxed with want of fincerity, nor as useless, becaufe LXVI. On the inadequacy of cotemporary envy and prejudice to the LXX. On the Tranflations of Homer by Pope and Cowper.. LXXI. Latin Tranflation of Gray's Elegy. LXXII. Bishop Warburton's Character of the Hiftorians of the ...LXXIV. On the deceitfulness of Hope. Ruminator's Farewell 40. Answers to remarks and Queries of the 6th Article, p. 371 CENSURA LITERARIA. NUMBER XXXVII. [Being Number XXV. of the New Series.] ART. I. INTRODUCTORY PAPER. A PERFECT collection of all the English poetry published in the sixteenth and seventeenth centuries. would be an invaluable treasure, not only for curiosity but for use. It is in poets that we must study all the varieties of language, all the force of words, both singly and in combination; and all the energy and vivacity of ideas. That bright mirror of things, which exists in the poet's brain, reflects them back with a proportionate clearness and brilliance of expression. The difficulty of attaining a large portion of these volumes has rendered it necessary to recur to modern compilations of selections and extracts from them, made by the honourable industry of those, whose love of literature combined with opportunity has stimulated their researches in these obsolete and forbidding tracks of study. The taste of the public has kept pace with the labours of these bibliographers and critics. We have seen the fashion for black-letter reading increase in the last ten years with wonderful celerity. It has given a new cast to our modern compositions in verse; extended their subjects; enlarged their phraseology; varied and enriched their imagery; and brought back their productions nearer to the vigorous simplicity of better days. However uninviting the black-letter page with its redundant spelling, and its unusual or strangely-accented words, may appear at first, a little practice reconciles us to these objections. We then find a new delight in the contrast with modern modes of communicating our thoughts; forms of phrase, which have lost all force from their triteness, are relieved by new combinations; and the operations of the mind seem to derive an infusion of vigour from the new light in which they are clothed. The generous and enlarged intellect swells with a proud satisfaction at thus having spread before it all the stores of the most cultivated genuises of its country for centuries back. All literary merit is relative; the products of a single age may be puny when compared with those of others: but when the standard of com parison is extended to those of every age of a country since the revival of letters, the most inquisitive and hesitating research must be satisfied. It may proceed to draw results with a confidence, which future facts will not be likely to disturb. The experience, with which it will be furnished, will shew with almost unerring certainty, what are the vital ingredients in a composition, which will preserve its fame to future ages. If it be a just and praiseworthy desire in a cultivated and extensive mind to see foreign countries and foreign manners, that we may shake off those narrow attachments and views of things, which a narrow scene and narrow acquaintance with the actions and customs of mankind almost necessarily generates, is not this desire as applicable to times as to countries? Does not the lapse of ages vary the modes and thoughts of the inhabitants of the world, as much as the diversity of scenes and climates? Is there not something still more worthy of a noble and refined curiosity, in unfolding the mantle of Time, in opening the grave, and bidding the dead speak? I have at length read so much of E'izabethan poetry, and Elizabethan biography, that all the wits of that age, all its genius, and all its state, seem to be brought upon the stage before me; and my eyes and my ears are full of their figures, and their language! Their modes of thinking; their feelings; their customs; their phraseology, are brought back to life, and offer themselves for a comparison with what I hear and see among my cotemporaries. I would not draw their "frailties from their dread abode" in the tomb: but I delight to revive their virtues; and talk with their spirits, though their bones have long since mouldered into dust! |