The Works of William Shakespeare: The Plays Ed. from the Folio of MDCXXIII, with Various Readings from All the Editions and All the Commentators, Notes, Introductory Remarks, a Historical Sketch of the Text, an Account of the Rise and Progress of the English Drama, a Memoir of the Poet, and an Essay Upon the Genius, Band 1Little, Brown, 1865 |
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Seite xvi
... period . Numberless like instances occur in these plays , a few of which are remarked in the notes to this edition . The pro- sodic importance of the participial termination is very manifest in the following lines from a speech in Romeo ...
... period . Numberless like instances occur in these plays , a few of which are remarked in the notes to this edition . The pro- sodic importance of the participial termination is very manifest in the following lines from a speech in Romeo ...
Seite xx
... period , indicating generally a transi- tion stage in certain syntactical forms . Thus we have in the Lord's Prayer , and in many other passages of our English Bible , " Our Father which art in heaven , " but elsewhere , for instance ...
... period , indicating generally a transi- tion stage in certain syntactical forms . Thus we have in the Lord's Prayer , and in many other passages of our English Bible , " Our Father which art in heaven , " but elsewhere , for instance ...
Seite xxi
... period to be slips of the pen , or printer's errors . - The evils which may result from one editor's trusting to another in matters of authority are great ; because , however careful , we are all liable to error . Examples might be ...
... period to be slips of the pen , or printer's errors . - The evils which may result from one editor's trusting to another in matters of authority are great ; because , however careful , we are all liable to error . Examples might be ...
Seite xxiii
... period , but because the first quarter of the century is marked by the appearance of a new spirit of criticism upon these plays , and the introduction of new methods of editing them . The efforts of the last century culminated in the ...
... period , but because the first quarter of the century is marked by the appearance of a new spirit of criticism upon these plays , and the introduction of new methods of editing them . The efforts of the last century culminated in the ...
Seite xxxii
... period , with indiscrim- inating hand , and not to have been disturbed till now . What I have here done is not the fruit of malice aforethought . The studies of which this work is one result , were begun , and were continued for some ...
... period , with indiscrim- inating hand , and not to have been disturbed till now . What I have here done is not the fruit of malice aforethought . The studies of which this work is one result , were begun , and were continued for some ...
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Adonis appears beauty Ben Jonson blood called character Collatine Collier comedy critics death dost doth dramatic dramatist edition editor Elizabethan era English eyes fair father fear folio foul genius give Gorboduc Hamlet hand hast hath heart honour John Shakespeare King Henry King Lear kiss labors lines lips live London look Lord love's Lucrece mind miracle-plays never night Note old copies Othello passage Passionate Pilgrim personages plays poem poet poor praise printed quarto quoth reader Robert Arden Romeo and Juliet seems Shake shame shew sonnets sorrow soul speak speare speare's stage Stratford style sweet Tarquin tears tell theatre thee thine thing Thomas Thomas Lucy thou art thought thyself tion Titus Andronicus tongue Tragedy traits Troilus and Cressida true truth unto Venus and Adonis verse Warwickshire William Shakespeare words writing written youth
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Seite 161 - And sable curls all silver'd o'er with white, When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard, Then of thy beauty do I question make, That thou among the wastes of time must go, Since sweets and beauties do themselves forsake And die as fast as they see others grow ; And nothing 'gainst Time's scythe can make defence Save breed, to brave him when he takes thee hence.
Seite 220 - Coral is far more red than her lips' red : If snow be white, why then her breasts are dun ; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks ; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound...
Seite ccxxiv - But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastern hill...
Seite 164 - Shall I compare thee to a summer's day? Thou art more lovely and more temperate : Rough winds do shake the darling buds of May, And summer's lease hath all too short a date...
Seite 171 - I'll read, his for his love." XXXIII Full many a glorious morning have I seen Flatter the mountain-tops with sovereign eye, Kissing with golden face the meadows green, Gilding pale streams with heavenly alchemy; Anon permit the basest clouds to ride With ugly rack on his celestial face And from the forlorn world his visage hide, Stealing unseen to west with this disgrace.
Seite 156 - When forty winters shall besiege thy brow, And dig deep trenches in thy beauty's field, Thy youth's proud livery, so gaz'd on now, Will be a tatter'd weed, of small worth held ; Then being ask'd where all thy beauty lies, Where all the treasure of thy lusty days, To say, within thine own deep-sunken eyes, Were an all-eating shame and thriftless praise. How much more praise deserv'd thy beauty's use, If thou couldst answer ' This fair child of mine Shall sum my count and make my old excuse...
Seite 141 - As it fell upon a day In the merry month of May, Sitting in a pleasant shade Which a grove of myrtles made...
Seite 193 - So far from variation or quick change ? Why with the time do I not glance aside To new-found methods and to compounds strange ? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed ? O, know, sweet love, I always write of you, And you and love are still my argument...
Seite 155 - FROM fairest creatures we desire increase, That thereby beauty's rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou, contracted to thine own bright eyes, Feed'st thy light's flame with self-substantial fuel, Making a famine where abundance lies, Thyself thy foe, to thy sweet self too cruel. Thou that art now the world's fresh ornament, And only herald to the gaudy spring, Within thine own bud buriest thy content, And, tender churl, mak'st...
Seite 228 - from hate away she threw, And sav'd my life, saying — "Not you." VOL. i. O CXLVI. Poor soul, the centre of my sinful earth, [Fool'd by] these rebel pow'rs that thee array, Why dost thou pine within, and suffer dearth, Painting thy outward walls so costly gay ? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend...