Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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... voice a whole octave . " And she did . Something I did myself as Othello . She lowered her voice and it captured the perfor- mance . Something she was to do again later when she played in [ Tennessee Williams's A Streetcar Named De ...
... voice a whole octave . " And she did . Something I did myself as Othello . She lowered her voice and it captured the perfor- mance . Something she was to do again later when she played in [ Tennessee Williams's A Streetcar Named De ...
Seite 203
... voice ' is complicately am- bivalent . On the battle - field , Cominius has been fulsome in praise ; here in the Senate , the fantasy about Coriolanus is gross and horrifying - a matter excellently shown by the triple giant shadow of ...
... voice ' is complicately am- bivalent . On the battle - field , Cominius has been fulsome in praise ; here in the Senate , the fantasy about Coriolanus is gross and horrifying - a matter excellently shown by the triple giant shadow of ...
Seite 404
... voice for playing tragedy on stage ; weak , raspy , lacking in resonance and tonal varia- tion , the effect was like hearing a virtuoso on a toy violin , sometimes interesting for its very unusualness and harsh- ness , but always ...
... voice for playing tragedy on stage ; weak , raspy , lacking in resonance and tonal varia- tion , the effect was like hearing a virtuoso on a toy violin , sometimes interesting for its very unusualness and harsh- ness , but always ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's