Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 17Gale Research Company, 1984 |
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Seite 16
... less violence , she might have been less consistent with the real force of her words . The formality of gesture is not quite subdued , but it resolves itself into some very effective poses in the scenes of queenly distress . The death ...
... less violence , she might have been less consistent with the real force of her words . The formality of gesture is not quite subdued , but it resolves itself into some very effective poses in the scenes of queenly distress . The death ...
Seite 165
... less . I would ask for less consciousness on Olivier's part that every word is putty and can be moulded to his whim . I would ask for less technique - instead I would like to feel that the lines are mastering him occasionally . Few ...
... less . I would ask for less consciousness on Olivier's part that every word is putty and can be moulded to his whim . I would ask for less technique - instead I would like to feel that the lines are mastering him occasionally . Few ...
Seite 178
... less technique - instead I would like to feel that the lines are mastering him occasionally I would ask for less decoration , less bravura , less personal- ity , less expertise " ( Spectator , 17 July ) . To me that seems ungrateful ...
... less technique - instead I would like to feel that the lines are mastering him occasionally I would ask for less decoration , less bravura , less personal- ity , less expertise " ( Spectator , 17 July ) . To me that seems ungrateful ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's