"The stately majesty of the 'Ghost of Hamlet's Father' contrasted with the expressive energy of his son, and the sublimity brought about by the light, shadow, and general tone, strike the mind with awe. In the picture of 'Lear' is admirably portrayed the stubborn rashness of the father, the filial piety of the discarded daughter, and the wicked determination of Regan and Goneril. The fairy scenes in Midsummer Night's Dream amuse the fancy, and show the vast inventive powers of the painter; and Falstaff with Doll' is exquisitely ludicrous.

·

"The example set by Boydell was a stimulus to other speculators of a similar nature, and within a few years appeared the Macklin and Woodmason galleries; and it may be said with great truth that Fuseli's pictures were among the most striking, if not the best, in either collection."

"A.D. 1787," says Northcote, in his "Life of Reynolds," "when Alderman Boydell projected the scheme of his magnificent edition of the plays of Shakespeare, accompanied with large prints from pictures to be executed by English painters, it was deemed to be absolutely necessary that something of Sir Joshua's painting should be procured to grace the collection; but, unexpectedly, Sir Joshua appeared to be rather shy in the business, as if he thought it degrading himself to paint for a printseller, and he would not at first consent to be employed in the work. George Stevens, the editor of Shakespeare, now undertook to persuade him to comply, and, taking a bank-bill of five hundred pounds in his hand, he had an interview with Sir Joshua, when, using all his eloquence in argument, he, in the meantime, slipped the bank-bill into his hand; he then soon found that his mode of reasoning was not to be resisted, and a picture was promised. Sir Joshua immediately commenced his studies, and no less than three paintings were exhibited at the Shakspeare Gallery, or at least taken from that poet, the only ones, as has been very correctly said, which Sir Joshua ever executed for his illustration, with the exception of a head of 'King Lear' (done indeed in 1783), and now in possession of the Marchioness of Thomond, and a portrait of the Hon. Mrs. Tollemache, in the character of 'Miranda,' in The Tempest, in which 'Prospero' and 'Caliban' are introduced.

Joshua's pencil, though it has been said by some cold critics not to be perfectly characteristic of the merry wanderer of Shakespeare. 'Macbeth,' with the witches and the caldron, was another, and for this last Mr. Boydell paid him 1,000 guineas; but who is now the possessor of it I know not.

"Puck' was painted in 1789. Walpole depreciates it as 'an ugly little imp (but with some character) sitting on a mushroom half as big as a mile-stone.' Mr. Nicholls, of the British Institution, related to Mr. Cotton that the alderman and his grandfather were with Sir Joshua when painting the death of Cardinal Beaufort. Boydell was much taken with the portrait of a naked child, and wished it could be brought into the Shakspeare. Sir Joshua said it was painted from a little child he found sitting on his steps in Leicester Square. Nicholls' grandfather then said, 'Well, Mr. Alderman, it can very easily come into the Shakspeare if Sir Joshua will kindly place him upon a mushroom, give him fawn's ears, and make a Puck of him.' Sir Joshua liked the notion, and painted the picture accordingly.

"The morning of the day on which Sir Joshua's 'Puck' was to be sold, Lord Farnborough and Davies, the painter, breakfasted with Mr. Rogers, and went to the sale together. When the picture was put up there was a general clapping of hands, and yet it was knocked down to Mr. Rogers for 105 guineas. As he walked home from the sale, a man carried ‘Puck' before him, and so well was the picture known that more than one person, as they were going along the street, called out, There it is!' At Mr. Rogers' sale, in 1856, it was purchased by Earl Fitzwilliam for 980 guineas. The grown-up person of the sitter for 'Puck' was in Messrs. Christie and Manson's room during the sale, and stood next to Lord Fitzwilliam, who is also a survivor of the sitters to Sir Joshua. The merry boy, whom Sir Joshua found upon his door-step, subsequently became a porter at Elliot's brewery, in Pimlico."

the curious." In time he effected a total change in this branch of commerce, "very few prints being now imported, while the foreign market is principally supplied with prints from England." By degrees, the large sums received from the Continent for English plates encouraged him to attempt also an English school of pictorial painting, the want of such a school having been long a source of opprobrium among foreign writers on England. The Shakespeare Gallery was sufficient to convince the world that English genius only needed encouragement to obtain a facility, versatility, and independence of thought unknown to the Italian, Flemish, or French schools. That Gallery he had long hoped to have left to a generous public, but the recent Vandalic revolution in France had cut up his revenue by the roots, Flanders, Holland, and Germany being his chief marts. At the same time he acknowledged he had not been provident, his natural enthusiasm for promoting the fine arts having led him after each success to fly at once to some new artist with the whole gains of his former undertaking. He had too late seen his error, having increased his stock of copper-plates to such a heap that all the print-sellers in Europe (especially in these unfavourable times) could not purchase them. He therefore prayed for permission to create a lottery, the House having the assurance of the even tenor of a long life "that it would be fairly and honourably conducted." The worthy man obtained leave for his lottery,

and died December 11, a few days after the last tickets were sold. He was buried with civic state in the Church of St. Olave, Jewry, the Lord Mayor, aldermen, and several artists attending. Boydell was very generous and charitable. He gave pictures to adorn the City Council Chamber, the Court Room of the Stationers' Company, and the dining-room of the Sessions House. He was also a generous benefactor to the Humane Society and the Literary Fund, and was for many years the President of both Societies. The Shakespeare Gallery finally fell by lottery to Mr. Tassie, the well-known medallist, who thrived to a good old age upon the profits of poor Boydell's too generous expenditure. This enterprising man was elected Alderman of Cheap Ward in 1782, Sheriff in 1785, and Lord Mayor in 1790. His death was occasioned by a cold, caught at the Old Bailey Sessions. His nephew, Josiah Boydell, engraved for him for forty years.

It was the regular custom of Mr. Alderman Boydell (says "Rainy Day" Smith), who was a very early riser, to repair at five o'clock immediately to the pump in Ironmonger Lane. There, after placing his wig upon the ball at the top, he used to sluice his head with its water. This well known and highly respected character was one of the last men who wore a three-cornered hat, commonly called the "Egham, Staines, and Windsor."

OLD 'CHANGE was formerly the old Exchange, so called from the King's Exchange, says Stow, there kept, which was for the receipt of bullion to be coined.

The King's Exchange was in Old Exchange, now Old 'Change, Cheapside. "It was here," says Tite, "that one of those ancient officers, known as the King's Exchanger, was placed, whose duty it was to attend to the supply of the mints with bullion, to distribute the new coinage, and to regulate the exchange of foreign coin. Of these officers there were anciently three-two in London, at the Tower and Old Exchange, and one in the city of Canter

bury. Subsequently another was appointed, with an establishment in Lombard Street, the ancient rendezvous of the merchants; and it appears not improbable that Queen Elizabeth's intention was to have removed this functionary to what was pre-eminently designated by her 'The Royal Exchange,' and hence the reason for the change of the name of this edifice by Elizabeth."

"In the reign of Henry VII.," says Francis, in his "History of the Bank of England,” “the Royal prerogative forbade English coins to be exported, and the Royal Exchange was alone entitled to give native money for foreign coin or bullion. During

the reign of Henry VIII. the coin grew so debased as to be difficult to exchange, and the Goldsmiths quietly superseded the royal officer. In 1627 Charles I., ever on the watch for power, re-established the office, and in a pamphlet written by his orders, asserted that the prerogative had always been a flower of the Crown, and that the Goldsmiths had left off their proper trade and turned exchangers of plate and foreign coins for our English coins, although they had no right.' Charles entrusted the office of 'changer, exchanger, and ante-changer' to Henry Rich, first Earl of Holland, who soon deserted his cause for that of the Parliament. The office has not since been re-established." No. 36, Old 'Change was formerly the "Three Morrice Dancers" public-house, with the three figures sculptured on a stone as the sign and an ornament (temp. James I.). The house was taken down about 1801. There is an etching of this very characteristic sign on stone.

The celebrated poet and enthusiast, Lord Herbert of Cherbury, lived, in the reign of James I., in a “house among gardens, near the old Exchange." At the beginning of the last century, the place was chiefly inhabited by American merchants; at this time it is principally inhabited by calico printers and Manchester warehousemen.

"Friday Street was so called," says Stow, "of fishmongers dwelling there, and serving Friday's Market." In the roll of the Scrope and Grosvenor heraldic controversy (Edward III.) the poet Chaucer is recorded as giving the following evidence connected with this street :

"Geffray Chaucere, Esqueer, of the age of forty years, and moreover armed twenty-seven years for the side of Sir Richard Lescrop, sworn and examined, being asked if the arms, azyure, a bend or, belonged or ought to pertain to the said Sir Richard by right and heritage, said, Yes; for he saw him so armed in Frannce, before the town of Petters, and Sir Henry Lescrop armed in the same arms with a white label and with banner; and the said Sir Richard armed in the entire arms azyure a bend or, and so during the whole expedition until the said Geaffray was taken. Being asked how he knew that the said arms belonged to the said Sir Richard, said that he had heard old knights and esquires say that they had had continual possession of the said arms; and that he had seen them displayed on banners, glass paintings, and vestments, and commonly called the arms of Scrope. Being asked whether he had ever heard of any interruption or challenge made by Sir Robert Grosvernor or his ancestors, said No; but that he was once in Friday Street, London, and walking up the street he ob

served a new sign hanging out with these arms thereon, and enquired what inn that was that had hung out these arms of Scrope? And one answered him, saying, 'They are not hung out, Sir, for the arms of Scrope, nor painted there for those arms, but they are painted and put there by a Knight of the county of Chester, called Sir Robert Grosvernor.' And that was the first time he ever heard speak of Sir Robert Grosvernor or his ancestors, or of any one bearing the name of Grosvernor." This is really almost the only authentic scrap we possess of the facts of Chaucer's life.

The "White Horse," a tavern in Friday Street, makes a conspicuous figure in the Merry Conceited Jests of George Peele," the poet and playwriter of Elizabeth's reign.

At the Wednesday Club in Friday Street, William Paterson, the founder of the Bank of England, and originator of the unfortunate Darien scheme, held his real or imaginary Wednesday club meetings, at which were discussed proposals for the union of England and Scotland, and the redemption of the National Debt. This remarkable financier was born at Lochnabar, in Dumfriesshire, in 1648, and died in 1719. The following extracts from Paterson's probably imaginary conversations are of interest :

:

"And thus," says Paterson, "supposing the people of Scotland to be in number one million, and that as matters now stand their industry yields them only about five pounds per annum per head, as reckoned one with another, or five millions yearly in the whole, at this rate these five millions will by the union not only be advanced to six, but put in a way of further improvement; and allowing £100,000 per annum were on this foot to be paid in additional taxes, yet there would still remain a yearly sum of about £900,000 towards subsisting the people more comfortably, and making provision against times of scarcity, and other accidents, to which, I understand, that country is very much exposed (1706)."

"And I remember complaints of this kind were very loud in the days of King Charles II.," said Mr. Brooks, "particularly that, though in his time the public taxes and impositions upon the people were doubled or trebled to what they formerly were, he nevertheless run at least a million in debt."

"If men were uneasy with public taxes and debts in the time of King Charles II.," said Mr. May, "because then doubled or trebled to what they had formerly been, how much more may they be so now, when taxed at least three times more, and the public debts increased from about one million, as you say they then were, to fifty millions or up

Mr. Pitt's celebrated measure was based upon an opinion that money could be borrowed with. advantage to pay the national debt. Paterson proposed to redeem it out of a surplus revenue, administered so skilfully as to lower the interest in the money market. The notion of borrowing to

Cheap, added to it by Act of Parliament. The following epitaph (1583) was in this church :

"Anthony Cage entombed here doth rest,

Whose wisdome still prevail'd the Commonweale;
A man with God's good gifts so greatly blest,
That few or none his doings may impale,
A man unto the widow and the poore,
A comfort, and a succour evermore.
Three wives he had of credit and of fame ;

The first of them, Elizabeth that hight,
Who buried here, brought to this Cage, by name,
Seventeene young plants, to give his table light."

"At St. Margaret Moyses," says Stow, "was buried Mr. Buss (or Briss), a Skinner, one of the masters of the hospital. There attended all the masters of the hospital, with green staves in their hands, and all the Company in their liveries, with twenty clerks singing before. The sermon was preached by Mr. Jewel, afterwards Bishop of Salisbury; and therein he plainly affirmed there was no purgatory. Thence the Company retired to his house to dinner. This burial was an. 1559, Jan. 30."

records, that in the year 1302, which was the 30th of Edward I., the bakers of London were bound to sell no bread in their shops or houses, but in the market here; and that they should have four hall motes in the year, at four several terms, to determine of enormities belonging to the said company. Bread Street is now wholly inhabited by rich merchants, and divers fair inns be there, for good receipt of carriers and other travellers to the City. appears in the will of Edward Stafford, Earl of Wylshire, dated the 22nd of March, 1498, and 14 Henry VII., that he lived in a house in Bread Street, in London, which belonged to the family of

It

"Beati mortui qui in Domino moriuntur."-Apoc. 14.
"To William Dane, that sometime was
An ironmonger; where each degree
He worthily (with praise) did passe.
By Wisdom, Truth, and Heed, was he
Advanc'd an Alderman to be;
Then Sheriffe; that he, with justice prest,
And cost, performed with the best.
In almes frank, of conscience cleare;
In grace with prince, to people glad ;
His vertuous wife, his faithful peere,
MARGARET, this monument hath made;
Meaning (through God) that as shee had
With him (in house) long lived well;

Even so in Tombes Blisse to dwell."

"Bread Street," says Stow, "is so called of bread there in old times then sold; for it appeareth by

The parish church of "St. Augustine, in Watheling Street" was destroyed by the Great Fire, but rebuilt in 1682. Stow informs us that here was a fraternity founded A.D. 1387, called the Fraternity of St. Austin's, in Watling Street, and other good people dwelling in the City. "They were, on the eve of St. Austin's, to meet at the said church, in the morning at high mass, and every brother to offer a penny. And after that to be ready, al mangier ou al revele; i.e., to eat or to revel, according to the ordinance of the master and wardens of the fraternity. They set up in the honour of God and St. Austin, one branch of six tapers in the said church, before the image of St. Austin; and