Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... installation occupied an entire gallery in the university's Art Museum . Across the gallery floor was a long , expansive ensemble of dark gray roof tiles lying solemnly and orderly on the ground in straight columns , with just a few ...
... installation should not be taken only as a brutal symbol of global capitalism that people in the Third World have just begun to experience . Jameson offers an inspiring reading of the New York artist Robert Gober's Untitled Installation ...
... installation Bat Project in China , which , in the artist's own words , " looks like a parody or like the shadow of ... Installation . Today Art Museum , Beijing . Summer Figure 29. Jiang Jie , Upperside and Downside . Installation. 222 ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |