Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... global capitalism is , to borrow Jameson's words , " the powerful expressions of the marginally uneven and the unevenly developed issues of a recent experience of capitalism , " which are " more intense and more powerful , more ...
... global capitalism today achieves its high productivity by destroying old ways of life on a worldwide scale.1o ... Global Capitalism , shared Gray's vision of a destructive global capitalism . For Greider , the market process is a source ...
... global capitalism is nowadays . In the film , after Moudan's symbolic death , many local residents in Shanghai claim to have seen Moudan transformed into a mermaid on the Suzhou River . To me , this urban myth of the " mermaid " is ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |