Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... Xiao Shan telephones Wang Xia , a girl from his village , asking her to go home with him for the New Year celebration . When they meet on a bustling street called Che- gongzhuang , northwest of the capital city , Xiao Shan hurries off ...
... Xiao Shan holding his Xidan shopping bag on the train sarcastically hints at his irrelevance to the city's prosperity . In the scene that follows , we see Xiao Shan back home , and his irrelevance is more evident - he lives in a slum of ...
... Xiao Shan's rationale is certainly pitiful and preposterous , but it is also customary within a rural communal system . Xiao Shan next makes a cross - town trip to Beijing's Nanzhan , or South Rail- road Station . During the Chinese New ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |