Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... Beijing . Nowadays , while com- merce and regional cuisine are noticeable , other local traditions have perished.47 ... Old Beijing . One video clip from The Wall shows a young woman using a cell phone on the street . She is an iconic ...
... Beijing mounted on a platform . The other appeared to be architectural models of Beijing's old city gates , which were built during the Ming and Qing dynasties . These models of the city gates were made of acrylic plastic and suspended ...
... old Beijing is a horizontal city with key landmarks at commanding heights to provide identity and direction to the spatial ordering of the city . " 60 So in Yin Xiuzhen's The Ruined City , it is this all - embracing roof tile span that ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |