Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... Hao's photographic series depicting govern- mental and commercial high - rises familiar to the residents of Beijing . But there is something odd about such new architecture . As Hong Hao reveals , the monstrous skyscrapers are totally ...
... Hao's vision of such " anonymous modernity ” 16 but his art contrasts sharply with Hong Hao's . Wang Jinsong shifts his vision from high to low . If Hong Hao demystifies public space that alienates man and woman , Wang Jinsong extols a ...
... Hao addressed this issue of power and architecture , as did other avant - garde artists from Beijing . Earlier in this chapter , I analyzed Hong Hao's Beijing No. 2 , or The Big Tower , which depicts a commercial high - rise and a joint ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |