Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent CinemaUniversity of Hawaii Press, 2010 - 312 Seiten Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and perceptions. |
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... Fisherwoman ( Yujia nü , 1943 ) , a popular movie directed by Bu Wancang ( 1903-1974 ) , who was a veteran director in the Shanghai film industry . In both films , there are two motifs that also play an essential role in Yang Fudong's ...
... fisherwoman as his wife during his own struggle for survival as an unconventional painter in Shanghai . In The Fisherwoman , however , Bu Wancang treated this happy ending and seemingly blessed marriage as an extravagant Broadway ...
... Fisherwoman . Xiao Zhiwei , a Chinese film scholar , pointed out that “ [ i ] n China modernity has never been separable from foreignness . " 10 He also cited a Chinese writer of the 1930s as saying , “ Anything foreign is modern ...
Inhalt
Recreating Urban Space in Avantgarde | 28 |
Chinese Artists and Filmmakers at the Beginning | 29 |
Yin Xiuzhens The Ruined City | 57 |
Urheberrecht | |
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Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |
Children of Marx and Coca-Cola: Chinese Avant-garde Art and Independent Cinema Xiaoping Lin Eingeschränkte Leseprobe - 2009 |