The Formalist, Bände 12-13The Formalist, 2001 |
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Seite 28
... true , but it's only half the story . There is also a natural impulse to be consciously different from the writers you dislike . Growing up in the sixties and seven- ties , I didn't care for most of the contemporary poetry I read . I ...
... true , but it's only half the story . There is also a natural impulse to be consciously different from the writers you dislike . Growing up in the sixties and seven- ties , I didn't care for most of the contemporary poetry I read . I ...
Seite 36
... true , I suppose , but I don't real- ly think that it summarizes my true identity as a writer . But fame always requires a reduction of identity . You're always identified with the formal revival of the late eighties and early nineties ...
... true , I suppose , but I don't real- ly think that it summarizes my true identity as a writer . But fame always requires a reduction of identity . You're always identified with the formal revival of the late eighties and early nineties ...
Seite 66
... true nature and most intimate self . Any narrative arising from such portraiture seems a subtext to the principal context of the poem , which is a self - revealing character study of the speak- er . As is true of any successful dramatic ...
... true nature and most intimate self . Any narrative arising from such portraiture seems a subtext to the principal context of the poem , which is a self - revealing character study of the speak- er . As is true of any successful dramatic ...
Inhalt
Editors Note | 6 |
An Ending | 12 |
In St Louis with Howard Nemerov | 20 |
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