The Comic in Renaissance ComedyMacmillan, 1981 - 189 Seiten |
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Seite 30
... equal plausibility . We dismiss the point of view of the two would- be murderers , for we can have no sympathy , nor are ... equally plausible , there- fore no surprise and no intellectual or emotional impasse . On the contrary , all the ...
... equal plausibility . We dismiss the point of view of the two would- be murderers , for we can have no sympathy , nor are ... equally plausible , there- fore no surprise and no intellectual or emotional impasse . On the contrary , all the ...
Seite 41
... equal , either because our feelings are neutral ( we have no preference ) or because we find the alternatives equally ... plausible and convincing . ) Sure enough , we find that a third viewpoint expressed by theorists of the comic down the ...
... equal , either because our feelings are neutral ( we have no preference ) or because we find the alternatives equally ... plausible and convincing . ) Sure enough , we find that a third viewpoint expressed by theorists of the comic down the ...
Seite 43
... plausibility . Plausibility is of course an essential requirement of both the contrasting ideas , for if we do not find the two ideas equally plausible then we dismiss what we cannot accept and no effective contrast is achieved . Presum ...
... plausibility . Plausibility is of course an essential requirement of both the contrasting ideas , for if we do not find the two ideas equally plausible then we dismiss what we cannot accept and no effective contrast is achieved . Presum ...
Inhalt
The Alchemist | 51 |
Middletons A Mad World | 81 |
Dekkers Shoemakers | 108 |
Urheberrecht | |
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absurdity Alchemist alchemy assumption attitudes audience bawdy beggars Bellafronte Ben Jonson benevolent Bianca Brome Candido celebratory comedy characters Christian clearly Comedy of Errors comic tension contradiction contradictory contrast Courtall Courtesan criticism cynical Dampit Dekker disguise divine equally plausible essentially evil F. R. Leavis Face and Subtle Face's feeling Follywit fools funny Honest Whore human human sexuality husband ideas illustrate images incongruity Jacobean joke Jonson judgement juxtaposed juxtaposition Kate Kate's LADY COCKWOOD laugh laughter Laxton levels of interpretation Love's Labour's Lost Lovewit Lucentio Mad World male Mammon Matheo Middleton Moll moral nature Oldrents Oldrents's Petruchio play's playwrights plot poem reality Roaring Girl rogues role romantic satire scene seen sexual Shakespeare Shoemakers shows Shrew Simon Eyre Sir Alexander Sir Bounteous Springlove stage comedy Succubus suggests Surley Surley's T. S. Eliot things Thomas Middleton throughout the play tragedy Trick ultimate viewpoint Volpone wife Witgood young