Shakespeare and the Poet's LifeUniversity Press of Kentucky, 06.09.1990 - 248 Seiten Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare -- or any poet of the time -- ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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... false compare . " Venus and Adonis itself is evidence enough that its author shared much of this multi- farious pride , but with a self - consciousness that Venus as a comic figure does not betray . Shakespeare knew ( and knew his ...
... false compare . " Venus and Adonis itself is evidence enough that its author shared much of this multi- farious pride , but with a self - consciousness that Venus as a comic figure does not betray . Shakespeare knew ( and knew his ...
Seite 145
... false semblant " and describes precisely the method by which Parolles hopes to succeed at court : " Hip- erbole , or the Over reacher , otherwise called the loud lyer " ( 3 : 18 ) . Parolles ' experience is , in this respect , something ...
... false semblant " and describes precisely the method by which Parolles hopes to succeed at court : " Hip- erbole , or the Over reacher , otherwise called the loud lyer " ( 3 : 18 ) . Parolles ' experience is , in this respect , something ...
Seite 156
... false suitor . For instance , the play opens with the presentation of his failed suit for higher rank , which Robert Heilman has convincingly demonstrated is but one of Iago's many false disguisings of his " peculiar end . " 24 ...
... false suitor . For instance , the play opens with the presentation of his failed suit for higher rank , which Robert Heilman has convincingly demonstrated is but one of Iago's many false disguisings of his " peculiar end . " 24 ...
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appears aristocratic Armado artistic Astrophil and Stella audience authors Berowne Berowne's Boyet chapter Cleopatra comedy conceit Coriolanus court courtiership courtly dedications dedicatory Donne doth Earl elaborate Elizabethan eloquence English epistle expressed eyes false Falstaff fashion favor figure front matter Harington hath Henry Holofernes Honourable Iago idle John Jonson King ladies language letter lines Lord Love's Labour's Lost mind muse never observed ornate style patron patronage perhaps Petrarchan phrase play play's poem poet poet's poetical poetry praise present Prince Proteus Puttenham Rape of Lucrece reader Renaissance Renaissance poet rhetorical rhyme Richard role satire satirist scene Shakespeare Shakespeare's Sonnets Sidney Sidney's Sonnet 29 Sonnet 35 Sonnet 58 Sonnet 94 Sonnets 124 Southampton speech sprezzatura suggest suitor sweet thee thing Thomas thou Timon of Athens tion Tudor urge Venus and Adonis Venus's verse Wolsey words write wrote Young Man sonnets