Neo-Classical Dramatic Criticism 1560-1770CUP Archive, 19.02.1976 - 172 Seiten This book, which was originally published in 1976, is an interpretation of the thought of the major neo-classical dramatic critics in Italy, France and England during the period 1560-1770. Commentary is based in every case on a careful reading of original texts (by, for instance, Scaliger, Castelvetro, Corneille, D' Aubignac, Dryden, Johnson, Diderot, Mercier), which have been translated by the authors where necessary and are liberally quoted, and leads to the conclusion that neo-classicism found its natural fulfilment in nineteenth-century naturalism. Far from being academic, artificial, doctrinaire or rigid - pejorative terms usually applied to them - the neo-classical critics were asking fundamental questions about the nature of drama. The book attempts to 'place' a selection of early European dramatic criticism in a fresh context. It brings together a good deal of information not available elsewhere and presents it in a form which non-specialist readers will find easy to assimilate and which specialists will find stimulating as a sophisticated critical interpretation of neo-classicism. |
Im Buch
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Inhalt
From Robortello to Ben Jonson | 18 |
French neoclassicism | 49 |
The English scene Restoration and early | 95 |
Rowe Pope and Johnson on Shakespeare | 124 |
Diderot and Mercier | 145 |
Conclusion | 177 |
185 | |
Andere Ausgaben - Alle anzeigen
Neo-Classical Dramatic Criticism 1560-1770 Thora Burnley Jones,Bernard De Bear Nicol Keine Leseprobe verfügbar - 1976 |
Neo-Classical Dramatic Criticism 1560-1770 Thora Burnley Jones,Bernard De Bear Nicol Keine Leseprobe verfügbar - 1976 |
Häufige Begriffe und Wortgruppen
accepted action actor ancients appear argument Aristotle Aristotle's audience authors become better Book century character classical close comedy common concerned considered Corneille critics delight demands dialogue Diderot discussion drama dramatist Dryden effect emotions English essay essential example fault fear fiction follows French give Greek hand happen human idea ignorance imagination imitation important instruction Johnson kind kings later laws lead less living look manner matter means mind moral move nature necessary neo-classical never passions person pity Plautus play pleasure plot poet Poetics poetry possible present probability reading reason reflection represented rules says Scaliger scenes seems sense serious Shakespeare speak stage structure theatre theory things thought tion tragedy tragic true truth unity verse vice virtue whole writing written
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Kingdom of Disorder: The Theory of Tragedy in Classical France John D. Lyons Eingeschränkte Leseprobe - 1999 |
Gattungsprobleme des Domestic Drama im literarhistorischen Kontext des ... Doris Feldmann Eingeschränkte Leseprobe - 1983 |