Say It Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like Henry V, and Other Secrets from the World’s Greatest CommunicatorBook Info A guide to better communication skills using the trademark persuasion style of famous playright, William Shakespeare. Takes examples from Shakespeare's characters and plays to illustrate the qualities and skills an excellent communicator must have, helping readers empower themselves to be more effective in front of an audience, as part of a team, or one-on-one. |
Im Buch
Ergebnisse 1-5 von 6
Seite 7
In many advice columns in business journals , what seems to be the biggest
concern of those asking for help ? Most are looking for answers to
communication - related problems : the WHY THE BARD AS COMMUNICATION
Guru ?
In many advice columns in business journals , what seems to be the biggest
concern of those asking for help ? Most are looking for answers to
communication - related problems : the WHY THE BARD AS COMMUNICATION
Guru ?
Seite 8
looking for answers to communication - related problems : the overdemanding
boss , the inconsiderate colleague , the foulmouthed person in the next cubicle ,
the slacker team member who hogs the credit , the lack of loyalty , and so on .
looking for answers to communication - related problems : the overdemanding
boss , the inconsiderate colleague , the foulmouthed person in the next cubicle ,
the slacker team member who hogs the credit , the lack of loyalty , and so on .
Seite 14
... arm around the shoulder after you had made a mistake , the signed
photograph when you needed to feel important , the private dinner when you felt
left out , and , most remarkably , the ability to recognize the everyday problems
SAY IT LIKE ...
... arm around the shoulder after you had made a mistake , the signed
photograph when you needed to feel important , the private dinner when you felt
left out , and , most remarkably , the ability to recognize the everyday problems
SAY IT LIKE ...
Seite 15
... the ability to recognize the everyday problems of staff frictions and competitions
. " What About Not So Good Communication ? His forward voice , now , is to
speak well of his friend ; his backward voice is to utter foul speeches and to
detract .
... the ability to recognize the everyday problems of staff frictions and competitions
. " What About Not So Good Communication ? His forward voice , now , is to
speak well of his friend ; his backward voice is to utter foul speeches and to
detract .
Seite 31
Far from it , as he tells in his autobiography . He was a terrible communicatorso
bad that the idea of becoming an announcer when he retired from his
professional basketball career was ludicrous . He decided to address the
problem , and we ...
Far from it , as he tells in his autobiography . He was a terrible communicatorso
bad that the idea of becoming an announcer when he retired from his
professional basketball career was ludicrous . He decided to address the
problem , and we ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
XVIII | 165 |
XIX | 175 |
XX | 189 |
XXI | 207 |
XXII | 209 |
XXIII | 223 |
XXIV | 239 |
XXV | 241 |
X | 97 |
XI | 107 |
XII | 117 |
XIII | 119 |
XIV | 135 |
XV | 145 |
XVI | 151 |
XVII | 153 |
XXVI | 253 |
XXVII | 263 |
XXVIII | 271 |
XXIX | 277 |
XXX | 287 |
XXXI | 289 |
Andere Ausgaben - Alle anzeigen
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Keine Leseprobe verfügbar - 2001 |
Say it Like Shakespeare: How to Give a Speech Like Hamlet, Persuade Like ... Thomas Leech Keine Leseprobe verfügbar - 2003 |
Häufige Begriffe und Wortgruppen
achieve action answer Antony appearance apply approach asked attention audience become better body boss Caesar Chapter clearly coach colleagues comes communication course discussion don't effective employees especially example eyes feel getting give Hamlet hand happen head hear Henry Ideas important it's keep King language later leader listening look lost Macbeth major meeting mind move never once organization Othello perhaps person poor positive practice preparation presentation President problem props question ready recall receiver Remember response Richard role sender showed situations skills someone sometimes sound speak speaker speech start started story style success talk tell things thou visuals voice you're
Beliebte Passagen
Seite 104 - My liege, I did deny no prisoners ; But, I remember, when the fight was done, When I was dry with rage, and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat...
Seite 59 - Why I, in this weak piping time of peace, Have no delight to pass away the time, Unless to spy my shadow in the sun And descant on mine own deformity ; And therefore, since I cannot prove a lover To entertain these fair, well-spoken days, I am determined to prove a villain And hate the idle pleasure of these days.
Seite 94 - Your face, my thane, is as a book, where men May read strange matters : — to beguile the time, Look like the time ; bear welcome in your eye, Your hand, your tongue : look like the innocent flower, But be the serpent under it.
Seite 24 - Turn him to any cause of policy, The Gordian knot of it he will unloose, Familiar as his garter ; that, when he speaks, The air, a charter'd libertine, is still, And the mute wonder lurketh in men's ears, To steal his sweet and honey'd sentences...
Seite 279 - When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope...
Seite 147 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Seite 38 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
Seite 199 - But that I am forbid To tell the secrets of my prison-house, I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.