Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 8Gale Research Company, 1984 |
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Seite 226
... speeches and their emphatic " now . " The first speech was cast in the imagery of warmth , sun , and ripening . This one twists that imagery into a picture of decay , a growth past its time and therefore certain of destruction . The ...
... speeches and their emphatic " now . " The first speech was cast in the imagery of warmth , sun , and ripening . This one twists that imagery into a picture of decay , a growth past its time and therefore certain of destruction . The ...
Seite 386
... speech in which Ariel explains the purpose of the tempest : You are three men of sin , whom Destiny- That hath to instrument this lower world And what is in ' t , —the never - surfeited sea Hath caused to belch up you . . . [ III . iii ...
... speech in which Ariel explains the purpose of the tempest : You are three men of sin , whom Destiny- That hath to instrument this lower world And what is in ' t , —the never - surfeited sea Hath caused to belch up you . . . [ III . iii ...
Seite 389
... speech beginning ' Ceres , most bounteous lady , thy rich leas . . . ' [ III . i . 60 ] , lines in which we hear a quite new majesty of tone and movement . The couplet form sets the dialogue apart from hu- man speech , while the longer ...
... speech beginning ' Ceres , most bounteous lady , thy rich leas . . . ' [ III . i . 60 ] , lines in which we hear a quite new majesty of tone and movement . The couplet form sets the dialogue apart from hu- man speech , while the longer ...
Inhalt
Richard III | 136 |
The Tempest | 280 |
Appendix | 475 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words