Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 8Gale Research Company, 1984 |
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Seite 61
... lover is not destroyed . Leonato gives the key to how the scene was to be played when he describes it afterwards ... lover in the eyes of an Elizabethan audience . It is even very difficult to see how these passages can be integrated ...
... lover is not destroyed . Leonato gives the key to how the scene was to be played when he describes it afterwards ... lover in the eyes of an Elizabethan audience . It is even very difficult to see how these passages can be integrated ...
Seite 77
... lover helplessly vilifying the ' Hero ' whom he loves . When Hero swoons even her father believes that she is guilty , but Beatrice , who in friendship trusts inward promptings , and the Friar , who is greater in experience and wisdom ...
... lover helplessly vilifying the ' Hero ' whom he loves . When Hero swoons even her father believes that she is guilty , but Beatrice , who in friendship trusts inward promptings , and the Friar , who is greater in experience and wisdom ...
Seite 219
... lover . Significantly , it is by a sexual image that he describes the warrior , so that the role as lover may follow naturally from the battle's end . The image tells us something also of Richard's deeper motives in the public life as ...
... lover . Significantly , it is by a sexual image that he describes the warrior , so that the role as lover may follow naturally from the battle's end . The image tells us something also of Richard's deeper motives in the public life as ...
Inhalt
Richard III | 136 |
The Tempest | 280 |
Appendix | 475 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Antonio appears Ariel audience Beatrice and Benedick Beatrice's Benedick and Beatrice Borachio brother Buckingham Caliban character Clarence Claudio comedy comic conscience critic curse death deformity Dogberry Don John Don Pedro dramatic dramatist dream E. K. Chambers Edward elements Elizabeth Elizabethan essay date evil father feeling Ferdinand following excerpt give hath Henry Henry VI Hermann Ulrici Hero Hero's human imagination innocent King Lady Anne Leonato lover Macbeth magic Margaret marriage Messina Midsummer Night's Dream mind Miranda moral murder nature Nemesis notes passion pattern person play play's plot poet poetic Prince Prospero psychological Queen Richard Richard III Richmond role romantic scene seems sense Shake Shakespeare slander soliloquy soul speare speare's speech spirit stage Stephano story suggests Sycorax symbol Tempest thee theme things thou tragedy tragic Trinculo true villain whole William Shakespeare Winter's Tale woman women wooing words