Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 101
... ultimate irre- solubleness of texts , a mystery that must perforce escape his own grasp . A psychoanalyst like Marie Bonaparte is interested primarily in Poe and therefore in the unconscious statement within his fiction . She notes ...
... ultimate irre- solubleness of texts , a mystery that must perforce escape his own grasp . A psychoanalyst like Marie Bonaparte is interested primarily in Poe and therefore in the unconscious statement within his fiction . She notes ...
Seite 178
... ultimate blindness . That this unde- cipherable text is that of our own being will be stated only by the coincidental nature of the reader's foundering within the reminders of a former grandeur - the scattered shards of what was once ...
... ultimate blindness . That this unde- cipherable text is that of our own being will be stated only by the coincidental nature of the reader's foundering within the reminders of a former grandeur - the scattered shards of what was once ...
Seite 181
... ultimate script for the unknown . We acknowledge the aware- ness in brief epiphanies but move on quickly to the greater comfort of dialectical possibilities . The exacerbation of this awareness of our non- awareness and our refusal to ...
... ultimate script for the unknown . We acknowledge the aware- ness in brief epiphanies but move on quickly to the greater comfort of dialectical possibilities . The exacerbation of this awareness of our non- awareness and our refusal to ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York