Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 29
... tell him about his past . That circularity extends to Oedipus's knowledge : like the others , he knows even as he does not know . When Creon tells him the ver- 9. Sigmund Freud , Beyond the Pleasure Principle ( New York : Liveright ...
... tell him about his past . That circularity extends to Oedipus's knowledge : like the others , he knows even as he does not know . When Creon tells him the ver- 9. Sigmund Freud , Beyond the Pleasure Principle ( New York : Liveright ...
Seite 45
... tell you , Hastings , it's making life jolly difficult for us , " p . 2 ) . And as for Lawrence , he must suffer something like character in what might otherwise be an acceptably innocuous face : " He looked about forty , very dark with ...
... tell you , Hastings , it's making life jolly difficult for us , " p . 2 ) . And as for Lawrence , he must suffer something like character in what might otherwise be an acceptably innocuous face : " He looked about forty , very dark with ...
Seite 54
... tells us exactly who committed the crime as well as how and for what reasons.2 Like Mrs. Inglethorp , the victim is ... tell us that all three indeed are guilty , though none committed the crime . Additionally , the list of suspects ...
... tells us exactly who committed the crime as well as how and for what reasons.2 Like Mrs. Inglethorp , the victim is ... tell us that all three indeed are guilty , though none committed the crime . Additionally , the list of suspects ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York