Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 96
... object for the sexual quest , that fiction is also a displacement object for the mystery it claims to be : the most mysterious detective story can devise only the kind of mystery that contains an immanent resolution . Though Poe may ...
... object for the sexual quest , that fiction is also a displacement object for the mystery it claims to be : the most mysterious detective story can devise only the kind of mystery that contains an immanent resolution . Though Poe may ...
Seite 125
... object on stage and tensing the spectator towards that object . The drama Pirandello de- vised for the object emphasized through frustration the spectator's movement towards the stage , making of the stage object an impene- trable limit ...
... object on stage and tensing the spectator towards that object . The drama Pirandello de- vised for the object emphasized through frustration the spectator's movement towards the stage , making of the stage object an impene- trable limit ...
Seite 136
... object of a commentary in the second work : those comments were no longer simply " fiction " since they referred to an actual object , and both books thus acquired a parafictional dimension that the author enlarged by having the minor ...
... object of a commentary in the second work : those comments were no longer simply " fiction " since they referred to an actual object , and both books thus acquired a parafictional dimension that the author enlarged by having the minor ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York