Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 128
... nature of the act . Borges's inner anxiety , which intends to escape from the containment of his fiction , derives from a sense of the absolute nature of the unknown that may be analyzed as the mystery of time ( " I can't get rid of my ...
... nature of the act . Borges's inner anxiety , which intends to escape from the containment of his fiction , derives from a sense of the absolute nature of the unknown that may be analyzed as the mystery of time ( " I can't get rid of my ...
Seite 137
... nature of history ) . Inserting the phenomenological object that is the Cervantes text within his fiction , Borges coerces from his reader the performance that the fiction requires of that reader - understanding the archaic text as a ...
... nature of history ) . Inserting the phenomenological object that is the Cervantes text within his fiction , Borges coerces from his reader the performance that the fiction requires of that reader - understanding the archaic text as a ...
Seite 172
... Nature , Humanism , Tragedy , " whose title itemizes the categories of that burden , is typical of his strategy . The nature of his attack is twofold : it contains a philosophy and a program - two different con- cerns that critics have ...
... Nature , Humanism , Tragedy , " whose title itemizes the categories of that burden , is typical of his strategy . The nature of his attack is twofold : it contains a philosophy and a program - two different con- cerns that critics have ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York