Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 111
... metaphysical definition of mystery . Perhaps in part for this reason , the tangible presence of the stage has frequently shaped the form and affected the content of metaphysical plays for as long as there have been stages— one thinks of ...
... metaphysical definition of mystery . Perhaps in part for this reason , the tangible presence of the stage has frequently shaped the form and affected the content of metaphysical plays for as long as there have been stages— one thinks of ...
Seite 131
... metaphysical hypotheses ( " They judge that metaphysics is a branch of fantastic literature , " p . 10 ) proposes " that while we sleep here , we are awake elsewhere and that in this way every man is two men " ( p . 10 ) . The fantastic ...
... metaphysical hypotheses ( " They judge that metaphysics is a branch of fantastic literature , " p . 10 ) proposes " that while we sleep here , we are awake elsewhere and that in this way every man is two men " ( p . 10 ) . The fantastic ...
Seite 150
... metaphysics , the victim argues all aspects of his case except the metaphysical . We recall from our discussion of Freud that this refusal to internalize is neces- sary for the dissemination of the " unheimliche " : Kafka is conjuring ...
... metaphysics , the victim argues all aspects of his case except the metaphysical . We recall from our discussion of Freud that this refusal to internalize is neces- sary for the dissemination of the " unheimliche " : Kafka is conjuring ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York