Mystery and Its Fictions: From Oedipus to Agatha ChristieJohns Hopkins University Press, 1979 - 203 Seiten Overview: Dedicated mystery fans, as well as those interested in literary theory or in the individual writers discussed, will find in Grossvogel's book an eloquent discourse on the relation of detective fiction to literary tradition. |
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Seite 26
... hand . Time and again ( lines 106 , 107 , 231 , 236 , 1332 , etc. ) , Oedipus insists that his deeds were done by his hand . Thomas Gould reminds us that the Greeks distinguished between two kinds of guilt : their most awesome court ...
... hand . Time and again ( lines 106 , 107 , 231 , 236 , 1332 , etc. ) , Oedipus insists that his deeds were done by his hand . Thomas Gould reminds us that the Greeks distinguished between two kinds of guilt : their most awesome court ...
Seite 50
... hand . ' It is significant ! It is tremendous ! " p . 30 - a trait that dis- tressed even the plain folk at Styles St. Mary : " A little chap ? As waves his hands when he talks ? One of them Belgies from the vil- lage ? " p . 74 ...
... hand . ' It is significant ! It is tremendous ! " p . 30 - a trait that dis- tressed even the plain folk at Styles St. Mary : " A little chap ? As waves his hands when he talks ? One of them Belgies from the vil- lage ? " p . 74 ...
Seite 104
... hand ( p . 235 ) . Lacan , close reader that he is , notes that D-- further accepts this assumption of femininity by , literally , placing his stamp on it : for reasons that are not otherwise readily understand- able , the Minister has ...
... hand ( p . 235 ) . Lacan , close reader that he is , notes that D-- further accepts this assumption of femininity by , literally , placing his stamp on it : for reasons that are not otherwise readily understand- able , the Minister has ...
Inhalt
Discovering Only the Discoverer | 23 |
Containment of the Unknown | 39 |
Divine Mystery and Literary Salvation | 53 |
Urheberrecht | |
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able accept actors actual Aeschylus allows already answer appears assume attempt awareness become begins believe Borges Camus characters complete concern contains create crime critic darkness death derives desire detective story Dostoevsky effect event evidence existence expectation extends face fact familiar father fear fiction figure finds forces Freud give given hand human Ivan Kafka Karamazov kill kind King knowledge less letter limits looking meaning metaphysical Meursault mind mother murder mystery myth Myth of Sisyphus nature never notes novel object Oedipus once original Pirandello play possible presence Quaker question reader reality reason reference remains represents requires ritual Robbe-Grillet sense sight simply speaks spectator stage suggests surface symbolic takes tell thing thought tion Translated truth turns ultimate understanding unknown voice writing York