Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe, Band 1Chapman Brothers, 1846 - 554 Seiten |
Im Buch
Ergebnisse 1-5 von 74
Seite 8
... perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the epical , required of necessity to be conjoined with a lyrical element . For its further improvement , art stood in ...
... perfect development , the scenic exhibition of narratives from the Holy Scriptures - the dramatic employment of the epical , required of necessity to be conjoined with a lyrical element . For its further improvement , art stood in ...
Seite 9
... perfect construction . In the Moralities greater care was necessarily paid to the connection and arrangement , as well as to a more skilful and accurate delineation of manners and character , since without the thread of a well - known ...
... perfect construction . In the Moralities greater care was necessarily paid to the connection and arrangement , as well as to a more skilful and accurate delineation of manners and character , since without the thread of a well - known ...
Seite 14
... perfect . The great difference between such religious dramas , and the old Mysteries , consisted in this , that in the former the sacred history was made to adjust itself to the laws and requirements of art , while in the latter , art ...
... perfect . The great difference between such religious dramas , and the old Mysteries , consisted in this , that in the former the sacred history was made to adjust itself to the laws and requirements of art , while in the latter , art ...
Seite 18
... acted in 1566 , and for the simple dry humour which prevails in it , as well as for the sus- tained tone and colouring , which are in perfect keeping with the subject , and the sphere of life in which its 18 SKETCH OF THE HISTORY OF THE.
... acted in 1566 , and for the simple dry humour which prevails in it , as well as for the sus- tained tone and colouring , which are in perfect keeping with the subject , and the sphere of life in which its 18 SKETCH OF THE HISTORY OF THE.
Seite 26
... dramas exhibits a similar combination , and so was in perfect har- mony with the union of the Tragic and the Comic . I allude to the verse , free intermixture of prose with poetry - of 26 SKETCH OF THE HISTORY OF THE.
... dramas exhibits a similar combination , and so was in perfect har- mony with the union of the Tragic and the Comic . I allude to the verse , free intermixture of prose with poetry - of 26 SKETCH OF THE HISTORY OF THE.
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Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe Hermann Ulrici Keine Leseprobe verfügbar - 2015 |
Shakespeare's Dramatic Art: And His Relation to Calderon and Goethe Alexander James William Morrison,Hermann Ulrici Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
Accordingly action æsthetical already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus criticism Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth view of things virtue weakness whole Winter's Tale
Beliebte Passagen
Seite 219 - tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all : Since no man, of aught he leaves, knows, what is't to leave betimes ?
Seite 88 - Tired with all these, for restful death I cry, As to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplac'd, And maiden virtue rudely strumpeted, And right perfection wrongfully disgrac'd, And strength by limping sway disabled, And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscall'd simplicity, And captive good attending captain ill.
Seite 98 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand; And almost thence my nature is subdued To what it works in, like the dyer's hand...
Seite 97 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace: Even so my sun one early morn did shine, With all triumphant splendour on my brow; But out! alack! he was but one hour mine, The region cloud hath mask'd him from me now. Yet him for this my love no whit disdaineth; Suns of the world may stain when heaven's sun staineth.
Seite 208 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Seite 106 - And whether that my angel be turn'd fiend Suspect I may, yet not directly tell; But being both from me, both to each friend, I guess one angel in another's hell: Yet this shall I ne'er know, but live in doubt, Till my bad angel fire my good one out.
Seite 98 - Now all is done, have what shall have no end! Mine appetite I never more will grind On newer proof, to try an older friend, A god in love, to whom I am confined. Then give me welcome, next my heaven the best, Even to thy pure and most most loving breast.
Seite 96 - Past reason hated, as a swallowed bait, On purpose laid to make the taker mad; Mad in pursuit and in possession so; Had, having, and in quest to have, extreme; A bliss in proof, and proved, a very woe; Before, a joy proposed; behind, a dream.
Seite 88 - Though I, once gone, to all the world must die : The earth can yield me but a common grave, "When you entombed in men's eyes shall lie. Your monument shall be my gentle verse, Which eyes not yet created shall o'er-read ; And tongues to be your being shall rehearse, When all the breathers of this world are dead ; You still shall live (such virtue hath my pen,) Where breath most breathes, even in the mouths of men.
Seite 96 - CXLVI Poor soul, the centre of my sinful earth, .... these rebel powers that thee array, Why dost thou pine within and suffer dearth. Painting thy outward walls so costly gay? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend? Shall worms, inheritors of this excess, Eat up thy charge? Is this thy body's end? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store; Buy terms divine in selling hours of dross; Within be fed, without be...